The Making of Our “Viral Underclass”
The Viral Underclass digs into capitalism, Big Pharma, “Gay-Inc.” and other factors surrounding Covid-19 and HIV that force a greater toll on the already marginalized.
Politics
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It’s Time We Hung Out at Joe’s Garage with Frank Zappa Again
As extremist minorities corrode social liberties, it’s time to take our rusting democratic values to Joe’s Garage where Frank Zappa waits with his sleeves rolled up.
Embodying the Mexico-US Border with Virtual Reality and Other Imaginings
Iñárritu’s VR experience Carne y Arena, Vizcarra’s documentary La Línea, and Rivera’s sci-fi film Sleep Dealer create unconventional imaginings of the Mexico-US border.
The Russo-Ukraine War Is a Mediated War – Not Just a War on the Media
How the Russo-Ukraine War generated a media dimension of its own and how it linked the myths of the past century to the challenges of our own.
SFIFF 2022: ‘Emily the Criminal’ Director on Rejecting the American Dream
Director John Patton Ford discusses his debut feature Emily the Criminal, a critique of American society borne within the death of the American Dream.
Comics Artist Darryl Cunningham Puts Vladimir Putin in Perspective
Comics Artist Darryl Cunningham’s latest nonfiction graphic novel, Putin’s Russia, puts Vladimir Putin’s rise to power in simple and clear perspective.
SFIFF 2022: Director Daniel Roher on Navalny, Master of Russian Politics
Director Daniel Roher met face-to-face with the intensely intelligent and deeply motivated Alexei Navalny and together created a film that compels global political action.
What to Make of Kremlin-Defying Alexei Navalny?
Daniel Roher’s compelling documentary Navalny intimately reveals the consequences of challenging Vladimir Putin’s autocratic Russia.
On Ireland’s Painful Emergence into the Modern World
Fintan O’Toole’s lucid history of Ireland, We Don’t Know Ourselves, is a vivid telling of how his country’s culture of silence and repression was broken open.
Chuck Klosterman’s ‘The Nineties’ Reads Like a Complex Murder Board
Chuck Klosterman’s The Nineties glosses subjects like Green Day, the Green Party, and Alan Greenspan like an insanely complex, cross-eyed inducing murder board.
1934 Horror Film ‘The Black Cat’ Slinks Easily into Our Time of Terror
Nazi power had already risen and Hitler was Chancellor when The Black Cat shared its laser-focus on the dangers of the rising tide of right-wing politics.
‘How Civil Wars Start’ Interrogates American Exceptionalism
The same forces that tore apart societies from Yugoslavia to Iraq, Columbia, Northern Ireland, and the West Bank are fully present in the US, warns How Civil Wars Start.
