Massimo Pupillo’s Prayer for the Survival of the North Is a Haunting Ambient Masterpiece
Massimo Pupillo’s Our Forgotten Ancestors takes the Sámi peoples of the Arctic Circle as its theme and inspiration for an instrumental tour-de-force.
Massimo Pupillo’s Our Forgotten Ancestors takes the Sámi peoples of the Arctic Circle as its theme and inspiration for an instrumental tour-de-force.
Piano and tape loops provide the basis for pianist Richard Sears’ most satisfying, compelling release to date, Appear to Fade.
Electronic artist Miriam Piilonen’s Sharp Diamond demonstrates her wide-ranging singer-songwriter talents and it’s as multifaceted as a fine jewel.
Laurel Halo’s Atlas feels like a natural progression. Mixing her voice with electronics and instruments, she creates her most glacial music yet.
Spend enough time with Radian’s new LP, Distorted Rooms, and you will begin to sense the adjustments made to this musical niche right before your ears.
End of the Day is purposefully quiet and forms a distinct meditative contrast with Courtney Barnett’s established indie rock oeuvre.
Jessica Ackerley and co. offer a fascinating, experimental one-off recording that sees three musicians playing off each other with wild, unpredictable results.
The Greater Wings is a sublime folk album from Julie Byrne, pairing lush instrumentation with soft-spoken vocals and richly contemplative lyrics.
Gia Margaret’s Romantic Piano is informed by innocence and experience, and has gorgeous moments replacing silence by reorganizing background sounds of everyday life.
Ambient maestro Matthew Robert Cooper (Eluvium) is two decades into his career, and on his latest LP, overcomes surprising obstacles physical and geographical.
The Orb’s Prism is one of those albums that pleasantly bides its time, waiting for a rush of inspiration that turns out to be only a parade of pretty neat ideas.
Are words of equivalent value to sound in the making and understanding of modern music? Brian Eno’s Forever Voiceless Edition confronts these issues.