Matt Reeves’ meandering faux-profound take on Batman spends its over-long runtime telling women to shut up and do as they’re told or face the consequences.
Boy Harsher chose to fill dark times by creating a film and soundtrack. The Runner, a sharp 30-minute horror, unfurls tantalizingly ambiguous events at a stately place.
Burial continues an almost unfeasibly long hot streak of evocative and compelling sonic visions with Antidawn. It feels like an entirely new genre of field recording and is his most abstract electronica to date.
The hallowed B-movie director John Carpenter says making film scores with Cody Carpenter and Daniel Davies comes naturally. But he still craves the unnatural.
Black Marble rolls forward growing bigger and brighter in positive ways on the new album Fast Idol, which shows fresh approaches to synthpop.
These recordings still carry that talismanic “lost album” energy that makes one wonder what a fit and healthy Stooges might have done next.
Taking a break from the pleasures of domesticity and enforced confinement, the ever-charming and loquacious Aidan Moffat of Arab Strap speaks with PopMatters of matters large and small, past and present.
On the eve of Arab Strap’s latest album, PopMatters caught up with the erudite and thoughtful Malcolm Middleton to consider now, then, and everything in between.
Arab Strap produce a concise video accompaniment to their music and art, all on equally compact indie budgets. While the result forms an enjoyable “Greatest Hits of Arab Strap” selection, it’s more than that.