Everything You Know Means Nothing: Problematic Art and Crystal Castles’ Legacy
An abusive past with Crystal Castles haunts former singer Alice Glass. Glass haunts her past back with her multi-artist, collaborative goth synthpunk.
An abusive past with Crystal Castles haunts former singer Alice Glass. Glass haunts her past back with her multi-artist, collaborative goth synthpunk.
Electropop history Listening to the Music the Machines Make comprehensively and at times humorously zeros in on five critical years in UK music.
The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.
Is Kesha’s new experimental art-pop record, Gag Order, a cautionary tale? A cry for help? A cathartic release? Most likely, it’s all of the above.
Norwegian alt-pop artist Ane Brun releases two compilation records tomorrow, while today, she shares the previously unreleased “Hand in the Fire” with a video.
Following the intense ambition of Ellie Goulding’s previous album, 2020’s Brightest Blue, Higher Than Heaven is a refreshing jolt of candy-coated vigor.
Worldbeat master Baaba Maal’s musical homecoming on Being is not myopic or static but embraces motion through space, time, and sound.
With a bloated runtime and a tendency toward monochromatic synth textures, M83’s ninth studio record Fantasy indulges one too many of the group’s clichés.
With a decades-long career of crafting ambient material as flexible in tone as it is in scope, a new box set reveals secrets to Tor Lundvall’s unknown catalog.
100 gecs’ 10000 Gecs succeeds as a cultural correlative, an audial reflection of modern-day life, as much as, perhaps more than, a purely aesthetic offering.
Who knew the music of mullets, wrap-around shades, and bodysuits could be so compelling? Nuovo Testamento’s Love Lines succeeds and transports the listener.
Weval pore beats and static all over the melodies on their dense textural new album, Remember, which only highlights how melodic it really is.