With Delphi, Canadian electronic artist Antwood releases an ambitious collection of brash electronic music and a whole slew of genre pastiches yet to be invented.
Throughout Mechanical Flirtations, Iranian duo Saint Abdullah deal in weaponized compassion and empathy, tuning their boundless music to start fires. Theirs is a sound of protest and resistance, of warmth and reconciliation.
Experimental electronic producer Burnt Friedman documents the musical melting pot of Berlin and Central Europe generally on his latest album. Watch his new video for "Supreme Self Dub".
Drew Daniel of Baltimore-via-Bay Area pranksters Matmos discusses their new album Plastic Anniversary, homophobic Montana moms, and the difficulties of recording a breast implant.
Here we are in 2019, and Matmos is still producing sounds that just don't fit comfortably into any electronic subgenre currently available for classification.
Objekt combines the electronic backbone of his project with an experimental approach and an impressive amount of sound design to bring forth Cocoon Crush.
Brighton-based electronic artist Ital Tek has astounded listeners with his unique and innovative sounds, and he tells PopMatters about his new album Bodied as well as what it took to make his break-through album, Hollowed.
On his latest EP, Aphex Twin abruptly pulls the rug from under your feet, turning his nostalgic IDM perspective into an etude on electronic music deconstruction.
