
Zack Snyder, Matthew Arnold, and Ancient Stories in Comic Book Films
Does it make sense for contemporary Superman to stand beside ancient Zeus in comic book films? Filmmaker Zack Snyder and 19th century poet and critic Matthew Arnold think so.
Does it make sense for contemporary Superman to stand beside ancient Zeus in comic book films? Filmmaker Zack Snyder and 19th century poet and critic Matthew Arnold think so.
Spider-Man: Far From Home ties up the themes of deception and Trump-era media manipulation and it ensures that the next Spider-Man film will be completely different from anything that came before.
Avengers: Endgame features all the expected trappings of a superhero blockbuster alongside surprisingly rich character resolutions to become the most crowd-pleasing finalés to a long-running pop culture series ever made.
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Taika Waititi's Thor: Ragnarok takes a refreshingly iconoclastic approach to Thor, throwing out the old, bringing in the new, and packaging the story in a colourful, gorgeously trashy aesthetic that perfectly captures the spirit of the comics.
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Scott Derrickson's Doctor Strange is a surprisingly cerebral, emotionally relatable film. It's also wrapped in some of the most exciting and unique blockbuster visuals seen in years.
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