John Cassavetes’ Faces: The Authenticity of Discomfort | 2 Mar 2009 // 1:59 PM

The camera always gets too close in Cassavetes’ films. These aren’t close-ups; they are invasions of private space.


John Cassavetes at His Most Intense, Searching and Experimental | 3 Dec 2013 // 1:10 AM

Cassavetes' aesthetic, both in front of and behind the camera, was less Method immersion than mad (as in gleeful) exploration, skirting the emotional edge without tripping into or wallowing in cathartic excess.

'The John Cassavetes Collection: Shadows & Faces' | 7 Jun 2012 // 5:00 PM

His characters don'tt have the dramatic stylization of Hollywood films, but they respond to the stimuli given by John Cassavetes' unusual shooting style, which doesn't let the actors know whether they are on frame or not.

//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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