The best sign of Marshall’s progress to know, to see where she’s come, may be in the music herself. This is just her playing, but this is the most deeply layered and intricate music of her career. You can feel lessons learned from the players on You Are Free and The Greatest and elsewhere, and those lessons give her the confidence to shift from the gauzy guitars of “Cherokee” to skronky blues of “Silent Machine” to ambient electro-pop of the title track to bright blippy keyboard sweetness of “Manhattan”.
—Matt Fiander, Cat Power: Sun review, 5 September
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.