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Clue To Kalo

Lily Perdida

(Mush; US: 20 Jan 2009; UK: 12 Jan 2009)

As a label, Mush is primarily known for hip-hop and secondarily for electronic music. Following in the footsteps of Marc Bianchi (a.k.a. Her Space Holiday), Clue To Kalo falls squarely into neither genre, starting off with bubbly glitch downtempo and now sounding like a full live band. With his third album, basement genius Mark Mitchell continues his evolution along side partner in crime Ellen Carey from sparse electronic pop depression into a full Animal Collective like sunshine laptop spectacle, only more coherent. Lily Perdida doesn’t sound like the work of a lone Australian with a female vocal accompaniment. Many an unassuming customer could be convinced this album is the work of a lost psych-pop ensemble. It is Mitchell’s most organic fusion yet, dripping with indie psychedelia through delicate melodies of acoustic guitar, harpsichord, flute, and anything under the stairs he could squeeze through his soundcard. It’s as impressive as it is warm and charming. I wouldn’t have said so after his sophomore release, but I believe he now deserves to be seen on the same level as Mr. Bianchi.


Author of blurbs, curator of playlists, and booker of shows, Alan Ranta has been plugging away at that music writing and programming thing since 2004. His brutally honest critical opinion has appeared in such publications as Exclaim!, CBC Music, PopMatters and Tiny Mix Tapes, and has been enlisted to help judge the Polaris Music Prize, Pazz & Jop, and Juno Awards. Based in East Van, he graduated with a BFA in music from Simon Fraser University in 2012. He's also a social media plague, cat whisperer, socio-political haranguer, Canucks fan, and one of the last remaining cowboys.

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