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Music

Spectacle: Elvis Costello with She & Him, Jenny Lewis, and Jakob Dylan (Episode 11)

Spectacle

Airtime: Wednesdays, 9pm
Length: 60
Subtitle: Elvis Costello With...
Network: Sundance Channel
First date: 2008-12-03
US release date: 2008-12-03
Website
Amazon

Much like the songwriters' circle episode from a few weeks back, tonight's episode of Spectacle: Elvis Costello With... (airing Wednesdays at 9pm EST/PST on the Sundance Channel) boasts multiple guests, and as a result, more music than talk. Costello is joined first by M. Ward and Zooey Deschanel, who released their collaborative debut, She & Him, last year. Ward describes his predilection for music that blurs the distinctions of time and place -- a "healthy confusion", as he calls it. Jenny Lewis (Rilo Kiley) follows, and emphasizes Ward's "timeless atmosphere", a feeling that she chased after on last year's Acid Tongue. Though She & Him deliver a solid "Change Is Hard" and Lewis shines with "Pretty Bird" and "Carpetbaggers", the best performance of the episode's first half is "Go Away", the final (and strongest) track from Costello's Momofuku.

Costello chats and performs with Jakob Dylan for the second half of the show. Dylan, after speaking a bit about resisting the desire to distance himself from his father's influence, performs some acoustic renditions of Wallflowers and solo songs -- a plaintive reading of "One Headlight", in particular, allows Dylan's sandpapery voice to expand. A somewhat bumbling performance of the Clash's "Straight to Hell" follows, before the entire cast reunites for a stomp through "(What's So Funny 'Bout) Peace, Love & Understanding". There are so many musicians on the stage for this final number that it moves a little too close to a Hall of Fame jam for its own good.

Still, none of these performances can touch Costello's opening run through Steely Dan's "Show Biz Kids" -- as Pete Thomas and his daughter Tennessee provide a double-thunder backbeat, Costello lays down a dirty fuzz-wah guitar solo and impassioned vocal, lifting the song up to a primal pedestal.

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