The distinct identity of Arab Strap, as an instrumental and lyrical unit, is matched by the visual aspect. The band’s artwork walks a sure-footed tightrope of casual appearance to deliberate effect.
From satire and portraiture to politicized pop, ¡Printing the Revolution! examines how artists created visually captivating graphics that catalyzed audiences. Enjoy this visually gorgeous excerpt courtesy of The Smithsonian American Art Museum and Princeton University Press.
Our fight for justice throughout the world is captured in this dynamic collection of posters, Celebrate People's History Vol. 2, courtesy of Feminist Press and Justseeds Artists' Cooperative.
John Lewis and C.T. Vivian were titans of the Civil Rights struggle, but they are far from alone in fighting for change. Eric Etheridge's masterful then-and-now project, Breach of Peace, tells the stories of many of the Freedom Riders.
Infodemics, conspiracies -- fault lines beneath the Fractured States of America tremble in this time of global pandemic, amplify splinters, fractures, and fissures past and present.
Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?
Philosopher and historian Diana Souhami's No Modernism Without Lesbians is a work of impeccable scholarship and a vibrant narrative about the essential and lasting philanthropy and patronage of the Arts by four remarkable lesbians.