With their first album in five years, the Besnard Lakes capture the journey from the primordial origins of life to the unknown that awaits us after death.
Fresh out of gimmicks, Weezer think outside the box and deliver their most sincere album in years with OK Human.
With Juvenile Universe, Blinker the Star's Jordon Zadorozny has once again crafted some of today's most vibrant, dynamic rock.
On Terminus, the latest album from the project that rose from the ashes of Godflesh, Justin Broadrick once again plumbs the recesses of memory to retrieve his own signature blend of melody and heaviness.
Tristan Perich's Drift Multiply is essential listening regardless of your tastes, the combination of violins and one-bit processors has never sounded so graceful.
Rubika Shah's savvy documentary, White Riot, shows punk music's casual flirtation with fascism and the rise of anti-racist punks' hugely popular response headlined by the Clash, Rock Against Racism.
Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album.
Though marvelous at executing their musical ideas on Matriphagy, nu-metal's Tallah sacrifice creativity for fidelity.
Unlikely purveyors of comfort music, Public Enemy offer a balm for an ominous future on What You Gonna Do When the Grid Goes Down?.
Twenty years removed from Deftones' debut album, the iconic alt-metal outfit gel more than ever and discover their poise on Ohms.
Grindcore institution Napalm Death finally reconcile their experimental side with their ultra-harsh roots on Throes of Joy in the Jaws of Defeatism.
Influenced by the Tibetan Book of the Dead, Blitzen Trapper's new album Holy Smokes, Future Jokes plumbs the comedic horror of the human condition.
