My Morning Jacket’s Infinite Jest
On My Morning Jacket, Jim James sifts through perceptions about technology and nature, offering a treatment for getting washed away by modernity.
On My Morning Jacket, Jim James sifts through perceptions about technology and nature, offering a treatment for getting washed away by modernity.
Low’s new album HEY WHAT improves upon the experimental Double Negative but has a somewhat predictable formula and mostly lacks drums.
Liars’ founding member Angus Andrew talks with PopMatters about revisiting the band’s past work and creating a new sci-fi album, The Apple Drop.
What's New, Tomboy? is special for how profoundly Damien Jurado acknowledges what might be learned from the emptiness in this life, as well as from being still and waiting to be filled.
On Straight Songs of Sorrow, Mark Lanegan tells stories from his life and wrestles with death, his chief subject.
Liturgy founder Hunter Hunt-Hendrix discusses religion, philosophy, history, and music from Johannes Brahms to Waka Flocka Flame.
Once Upon a Time...In Hollywood is the clearest signal yet of Quentin Tarantino's transition from creative referentialist to repeat offender, standing somewhere between revisionism and recidivism.
Film/TV score composer Cliff Martinez talks with PopMatters about his work with Steven Soderbergh, Harmony Korine, and Nicolas Winding Refn, whose new series Too Old to Die Young features one of Martinez's most ambitious scores to date.
Lambchop's new album is the musical equivalent of that final "walk" monologue from Synecdoche, New York. It's a heavy listen, but potentially a rapturous one as well, for anyone who has ever experienced a reverie of aging and all it entails.
At a time when some of the progenitors of this style of rock music are hitting walls creatively, a regional super-group comes along to show how relevant this sound can be.
Weezer's Black Album shrinks to the low ambition of phoned-in karaoke over plastic keyboard preloads.