
Cyril Neville and King Youngblood Serve Up Inspiring Gumbo
This is a big year for Cyril Neville and King Youngblood, a bonus for music fans who appreciate artists who use their talents to speak out and inspire social change.
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This is a big year for Cyril Neville and King Youngblood, a bonus for music fans who appreciate artists who use their talents to speak out and inspire social change.

While the idea of hard-core gringo rockers Mariachi El Bronx covering the hyper-emotional Mexican genre might seem like a goof, the musicians dove in and took it seriously.
Tōth’s And the Voice Said refines his knack for balancing introspection, pop warmth, and unresolved inner tension.

Watterson Hall offers a glimpse into the mythical Texas that many consider their rightful heritage. William Clark Green personifies a good ol’ boy without stereotypes.

Jackie West grows from her immensely satisfying debut album into a follow-up that sees her taking chances while writing beautiful, emotionally striking music.

Folk-pop-rock singer Al Stewart scored a career-boosting hit with 1976’s “Year of the Cat” and continued the momentum with “Time Passages”.

For Canadian folk singer-songwriter Lynn Miles, yielding to songwriting is not passivity. It is discipline. Attention. Trust.

Squeeze were always ambitious, although never at the expense of fun. Trixies is imaginative, impressive, and most importantly, fun.

Meg Okura creates a unique musical blend, and her new album with the Pan Asian Chamber Jazz Ensemble, Isaiah, is ambitious and lushly accessible.

Based on the best tracks on this new synth pop collection, 1979 was a time that drew equally from traditionalist pop songcraft and new musical technology.

Massive Attack provided the first truly viable British response to the then-rising—and stubbornly indigenous—sensibilities of American hip-hop culture.

If Love Is Not Enough announces anything, it’s a return to the stark architecture and the blunt-force grammar Converge helped codify.