
Lip Critic’s ‘Theft World’ Is Beautifully Structured Chaos
In Lip Critic’s Theft World genres are unceremoniously smashed together, with hardcore punk, club rhythms and hyper-pop all vying for attention.
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In Lip Critic’s Theft World genres are unceremoniously smashed together, with hardcore punk, club rhythms and hyper-pop all vying for attention.

“Future Fusion” group Instant Alter occupy a rare category of artist with the spiritual ambitions to match their musical prowess.

Metric look at ups and downs, always seeking an accessible romanticism. Underground dives may be dingy or dirty, but they can lead somewhere transcendent.

Kevin Morby’s eighth LP, Little Wide Open, is a masterpiece of simple and, at times, epic proportions that will linger deep within one’s soul.

Telehealth create angular grooves and twitchy rhythms and look askance at our modern-day neoliberal nightmare as we doomscroll ourselves to oblivion.

That Cocanha can conjure sound paintings with little more than their mouths and a minority language shows they are in complete command of their journey.

Laibach’s Musick has its moments, but ultimately it’s a reminder that there is plenty of good pop music that skewers itself without being so belabored about it.

Unwed Sailor mine a sense of adventure from their relatively uncomplicated sound. It’s music in which one can get beautifully, blissfully lost.

Here’s a salute to the 1990s songs that stopped “mattering” once the calendar flipped to the year 2000, and some that were forgotten much, much sooner.

Broken Social Scene’s Remember the Humans takes time to develop but celebrates their wonderful convergence of sounds.

Modern Woman’s operatic Johnny’s Dreamworld offers a range of sounds, from post-punk to art rock to chamber pop.

Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.