Books

Does Writing Get Easier?

I read this article in the Guardian today -- a brief interview with author/poet Luke Kennard. The interview is a standard Q&A, but some of the questions are quite probing. Like this one, for instance: "How do you survive being alone in your work so much of the time?" I don't know if I'd have Sarah Kinson's courage to point that one anyone's way let alone a writer (let alone a poet). But that's why we have the Guardian, I suppose. This question, though, did not elicit the interview's best response. That came to this question: "Do you find writing becomes any easier over time?"

Kennard, author of The Solex Brothers, responds:

It always feels like starting again -- like I have to relearn everything I thought I'd got the hang of. Sometimes I just sit there screaming into my hands.

What a great and terrifying image. It got me thinking -- what do other writers think of this notion of writing "getting easier" with time? I did some Googling and I found that many writers are asked just this very question. Here are some of the more interesting answers:

Hubert Selby, Jnr said this in an interview with Cune Press:

The writing itself has been much easier since Last Exit [to Brooklyn]. I spent six years writing Last Exit to Brooklyn, but that time was spent learning how to write. And I started [to develop] the necessary tools in that process to do whatever it is needs to be done. But I have a very difficult time physically sometimes just getting the energy to write. Right now I have some energy, so I just keep writing. The Willow Tree was very difficult from that point of view. I just couldn’t get a sustained rhythm going. I’d write for a while and -- for a couple of weeks -- and then maybe a year I couldn’t write anything. So each time I did get back to writing, I spent most of my time getting back into the rhythm of the book. So as a result, my main time was spent on editing and rewriting. It was a monumental job, getting rid of all that repetition. Ahh. (Shakes his head.) So the actual writing was only a few months, but it was over a period of years. But the actual act of writing does become easier. Any job becomes easier when you apply the necessary tools to do the job. So you have to keep giving yourself challenges. I enjoy doing things I haven’t done before. Sometimes you succeed, sometimes you fail.

Read the rest of that interview here.

Samuel Beckett wrote in The Critical Heritage:

For some authors, writing gets easier the more they write. For me it gets more and more difficult. For me the area of possibilities gets smaller and smaller.
.

I found that on a Google Book Search.

Rani Manicka, author of The Rice Mother, answers the question in her book's Penguin Reading Guide:

The writing process is easy. There is no struggle with words, only with distractions: the garden, the phone, the television, the fridge, the pub. But usually I can be trusted to wake up in the morning, crawl downstairs, get a mug of tea, and switch on the computer. Good days mean I walk away having fed the computer 2,000 words, and lazy days mean I have turned away before even reaching 1,000. Like all things, writing gets easier with practice. Certainly I learned a great deal when my book was edited for the first time. Looking back at the original manuscript now makes me cringe.

My favourite response, though, is this from UK author Louise Doughty. She tells the Telegraph: "Writing gets easier once you know your allies and banish your enemies."

Ahh, what a brilliant thought.

Now, look at this: A really cool poem by Luke Kennard called "The Murderer".

The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

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Electronic music is one of the broadest-reaching genres by design, and 2017 highlights that as well as any other year on record. These are the 20 best albums.


20. Vitalic - Voyager (Citizen)

Pascal Arbez-Nicolas (a.k.a. Vitalic) made waves in the French Touch electro-house scene with his 2005 debut, OK Cowboy, which had a hard-hitting maximalist sound, but several albums later, Voyager finds him launching into realms beyond at his own speed. The quirky, wallflower vocals and guitar snippets employed throughout Voyager drop a funk that brings to mind WhoMadeWho or Matthew Dear if they had disco-pop injected between their toes. "Levitation" is as pure a slice of dance floor motivation as theoretically possible, a sci-fi gunfight with a cracking house beat sure to please his oldest fans, yet the album-as-form is equally effective in its more contemplative moments, like when Miss Kitten's vocals bring an ethereal dispassion to "Hans Is Driving" to balance out its somber vocoder or the heartfelt cover of "Don't Leave Me Now" by Supertramp. Voyager may infect you with a futuristic form of Saturday Night Fever, but afterwards, it gives you a hearty dose of aural acetaminophen to break it. - Alan Ranta


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Film

Hitchcock, 'Psycho', and '78/52: Hitchcock's Shower Scene'

Alfred Hitchock and Janet Leigh on the set of Psycho (courtesy of Dogwoof)

"... [Psycho] broke every taboo you could possibly think of, it reinvented the language of film and revolutionised what you could do with a story on a very precise level. It also fundamentally and profoundly changed the ritual of movie going," says 78/52 director, Alexandre O. Philippe.

The title of Alexandre O. Philippe's 78/52: Hitchcock's Shower Scene (2017) denotes the 78 set-ups and the 52 cuts across a full week of shooting for Psycho's (1960) famous shower scene. Known for The People vs. George Lucas (2010), The Life and Times of Paul the Psychic Octopus (2012) and Doc of the Dead (2014), Philippe's exploration of a singular moment is a conversational one, featuring interviews with Walter Murch, Peter Bogdanovich, Guillermo del Toro, Jamie Lee Curtis, Osgood Perkins, Danny Elfman, Eli Roth, Elijah Wood, Bret Easton Ellis, Karyn Kusama, Neil Marshall, Richard Stanley and Marli Renfro, body double for Janet Leigh.

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The Force, which details the Oakland Police Department's recent reform efforts, is best viewed as a complimentary work to prior Black Lives Matter documentaries, such 2017's Whose Streets? and The Blood Is at the Doorstep.

Peter Nicks' documentary The Force examines the Oakland Police Department's recent reform efforts to curb its history of excessive police force and systemic civil rights violations, which have warranted federal government oversight of the Department since 2003. Although it has its imperfections, The Force stands out for its uniquely equitable treatment of law enforcement as a complex organism necessitating difficult incremental changes.

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Mary Poppins, Mrs. Gamp, Egyptian deities, a Japanese umbrella spirit, and a supporting cast of hundreds of brollies fill Marion Rankine's lively history.

"What can go up a chimney down but can't go down a chimney up?" Marion Rankine begins her wide-ranging survey of the umbrella and its significance with this riddle. It nicely establishes her theme: just as umbrellas undergo, in the everyday use of them, a transformation, so too looking at this familiar, even forgettable object from multiple perspectives transforms our view of it.

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