Without new footage or a release date, the Tribeca Talk didn't raise my anticipation for Death Stranding, but it was an engaging chat with Hideo Kojima and Norman Reedus.
Without a set form, there can be no water-cooler talk about Bandersnatch, no collective reflection and analysis, because each viewer watched a different movie.
Kingdoms of Amalur takes all of the principles of videogames – agency, choice, exploration, conflict – and turns them into an expansive experience of testing the conventions, and even the technical framework, of videogame fiction itself.
Netflix's interactive movie, Bandersnatch, doesn't really offer choices, but it does offer something else: a warning.
This month, Nick and Eric talk about the epic and dense high concept sci-fi/fantasy of Torment: Tides of Numenera and end with an important announcement about the future of the podcast.
The staff at the World Video Game Hall of Fame have, with great care, winnowed down objects in the medium that they feel best represents the important developments in the history of the video game.
In this edition, we dig into the detective point-and-click text adventure A Case of Distrust, and investigate what makes it good, but not great.
This week we discuss self-consciousness, self-identification, and awful puzzle design in The Fall: Part 2 - Unbound.
What does it mean, ontologically and narratively, when the seeming finality of death disappears from our stories? What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?
This week we discuss The Awesome Adventures of Captain Spirit, and how its status as a prequel/promo for Life Is Strange 2 makes it less awesome.
This month Nick and Eric discuss the economics of robot sentience in Subsurface Circular and the tricky trust issues of alien first-contact in Quarantine Circular.
On this month's games podcast, Nick and Eric discuss the optimistic and mythic post-post-apocalypse of Horizon: Zero Dawn.
Online games make it easier than ever to design and test masks and to experience the hopes, fears, benefits, and harms of reinvention.
With the mission to educate as well as entertain, our scope is broadly cast on all things pop culture and we are the world's largest site bridging academic and popular writing.
This month, Nick and Eric spend a Night in the Woods facing down the cosmic horrors of economic disenfranchisement.
Dominic Arsenault's Super Power, Spoony Bards, and Silverware cuts through the nostalgia so sharply that it comes off as dismissive, hostile even, at least to someone used to reading the flowery prose of fan literature.
Roar Uthaug's insistence upon combining faux gravitas with action results in countless scenes of unintentional hilarity.
This week, Nick and Eric take up arms in order to free America from the Nazi regime, and occasionally talk about Wolfenstein: The New Colossus.