Whatever USA–or–Is It Time for a New Federal Writers’ Project?
State by State (2008) is rife with jaunty attacks, superficial panegyrics, random reportage, and puberty memoirs. Isn’t it time for a comparable update?
State by State (2008) is rife with jaunty attacks, superficial panegyrics, random reportage, and puberty memoirs. Isn’t it time for a comparable update?
Poet Laureate Jaki Shelton Green's The River Speaks of Thirst is at once a political statement, cultural commentary, and an aesthetic milestone, a skillful commingling of galvanic activism and evocative poetry.
The fascist mind, always limited by parochial sentimentality, fears art because it fears any hint of ambiguity.
Despite a premise that feels ripped from today's headlines, the debut film from writer-director Henry Dunham works as both a tense reflection on these times of gun violence and an effective study of something far more timeless.
Author and activist Ijeoma Oluo pens a user-friendly yet pointed examination of how to face and start dismantling America’s racist society.
These women are not simply simulating scenes of poverty for the reader; they experienced it and now they own it as one constant facet of their diverse identities.
The specter of slavery draws unavoidable correlations to contemporary American society in Colson Whitehead’s The Underground Railroad.
Musician Dar Williams lets it all hang out with piercing opinions and shrewd take-aways.
Lauren Markham's The Far Away Brothers puts forth the story of two young lives caught up in the pressing need to immigrate.