
Solace House’s Unsettling Tale of Coming-of-Age in Liminal Spaces
The horror in Will Maclean’s Solace House is informed by preoccupations as diverse as Usborne Books’ Mysteries of the Unknowm, The Backrooms, Shirley Jackson, and Donna Tartt.

The horror in Will Maclean’s Solace House is informed by preoccupations as diverse as Usborne Books’ Mysteries of the Unknowm, The Backrooms, Shirley Jackson, and Donna Tartt.

The narration in Murder Bimbo is whip-smart, clever, and satirical, but the novel’s unusual structure confuses.

Brian Eno and Bette A. are on the same aesthetic page with Slow Stories, wherein the two form a kind of high-concept ASMR experience.

The writers demanding our attention in 2026 interrogate power, dissect masculinity, and insist on joy in their works of satire, sorcery, and secrets from Africa and the Diaspora.

Devin Jacobsen’s The Summer We Ate Off the China is a varied collection of emotional stories that will leave one feeling satisfied.

Like Cormac McCarthy, Andrew Krivak breaks complex actions, narrated in strings of independent clauses, into their elemental parts in Mule Boy.

Our Best Books of 2025 draws from inventive authors and scrappy publishers. Has there ever been a better time to be a reader than these tumultuous times?

Thomas Pynchon’s Shadow Ticket, should it be his last, showcases that even when he’s not at his very best, the man can pack an artful wallop.

Katharina Volckmer’s tale of an isolated soul’s yearning for connection, Calls May Be Recorded intentionally disconnects with its readers in that funny/not funny way.

In Great Black Hope, Rob Franklin’s debut novel, we have a Black protagonist able to hide behind his finances, even when he slips.

In Sayaka Murata’s eagerly awaited novel Vanishing World, our conventional understanding of love and sex has all but disappeared.

Sameer Pandya mines the pain of immigrant parents wrestling with America’s existential crises in Our Beautiful Boys .