Spanish Poet Eva Baltasar Tackles the Lesbian Parenting Novel With ‘Boulder’
With Boulder, Eva Baltasar lays bare with her incisive power of observation and blade-like prose the unpleasant realities of parenthood.
With Boulder, Eva Baltasar lays bare with her incisive power of observation and blade-like prose the unpleasant realities of parenthood.
Emmy-winning actor Michael Imperioli’s debut novel, The Perfume Burned His Eyes seems at first a coming-of-age tale, but its tumultuous thralldom is a swift current.
Andy Davidson’s The Hollow Kind blends southern gothic, folk, and Lovecraftian horror to create a multi-generational tale about greed, grief, and familial love.
Jordan Castro’s debut The Novelist is a relatable and humorous study of the economy of plotting, ironic description, and the addictive nature of the self.
The uncontrollable violence of the natural and the supernatural in Celtic Legend take to the wing in Emma Seckel’s debut novel The Wild Hunt.
Tess Gunty’s vibrant, esoteric debut novel, The Rabbit Hutch, is a devastating story about searching for life and meaning in a dying Midwestern city.
Beata Umubyeyi Mairesse’s All Your Children, Scattered, is a compact, trance-like meditation on the unintended effects of love and survival in the Rwandan diaspora.
Poet and short fiction writer Amy E. Casey’s debut novel The Sturgeon’s Heart explores identity through hiding within life’s tricky currents.
Julia Armfield’s Our Wives Under the Sea seamlessly blends mystery, gothic horror, dual narratives, looping time, and multiple genres into an enchanting whole.
Andrew Lipstein’s Last Resort takes the business of publishing to the very edge of the writer’s limit.
Breaking form with his latest work, Crossroads, Franzen has not written a social novel. He has written an Antisocial Novel.
With its deliberately disjointed narrative shifts, is Sasha Filipenko’s Belarusian fiction Red Crosses a story of memory or memory of a story?