Antoine Laurain's Smoking Kills is provocative and funny, but its meditations remain consistently mature.
This may be a clever homage to classic hard-boiled detective fiction from the '40s, but Archer in Dreamland is not the wild man we've come to love/hate.
The Mad Men creator's debut novel has noir roots but plumbs his familiar territory of modernist anxiety with a savage precision.
Richard Matheson's work has so permeated modern pop culture that it can be hard to find works not at least partially indebted to an idea of his or, as is more often the case, someone influenced by him.
Gotham steeps itself in Batman lore without ever becoming too faithful, its piety only extending far enough to communicate its loose ties to the source material.
In White Night, it is not a shotgun, but light itself, that is your only ally, and light in in this game is in terrifyingly short supply.
The Wolf Among Us's quick time events typify the hard boiled genre better than any elegant combat system would or than any analytically driven puzzle solving might. Moments less to be won than to be survived or endured.
Dare Me has been compared to everything from Fight Club to Lord of the Flies and is just as overtly masculine and dark as those two noted novels.
Available again in ebook form, the crime classic Stephen King called "one of the greatest American novels of the 20th century", The End of Night, is ready for rediscovery by a new generation of readers.
In some sense, Scene of the Crime birthed the universe of grifters, drug runners, and unlucky bar flies that help make Ed Brubaker's books what they are…
Even in meeting the demands of the crime noir genre, and giving the story a cooling off period Viktor Kalvachev brings an intensity to Blue Estate.
You can get through the entire story by being the least competent detective in the world. The story will unfold, as it were, despite you.
A tough 17-year-old dropout searches for her missing father in the poverty- and meth-scared hills of the Missouri Ozarks.
HBO's The Wire’s intentional difficulty and rigor -- along with academia’s ongoing love affair with cultural studies -- might very well explain its emerging as a centerpiece in a growing number of courses at many colleges and universities in the United States.