
‘Ladies and Gentlemen, the Fabulous Stains’ Remains Punk Cinema’s Most Recognizable Signpost
Ladies and Gentlemen, the Fabulous Stains built the scaffold on which more successful films about women in punk rock would scale grander heights.

Ladies and Gentlemen, the Fabulous Stains built the scaffold on which more successful films about women in punk rock would scale grander heights.

Outbreak Festival is the most consistently hailed event in European hardcore. Now, four years into that title, how can it possibly live up to the hype?

For 13 years, ’68 made noise rock that was, essentially, about how life-affirming it is to make songs. With They Are Survived, they say goodbye at full volume.

The performance-art punks Dead Pioneers create protest music that unites and inspires, just in time for the United States’ birthday.

Performance artist-turned-punk Gregg Deal of Dead Pioneers talks about his band’s new record and opening for Pearl Jam.

Born to Kill is new yet vintage Social Distortion, a greatest-hits package of new material that is authentic, fresh, and retrospective all at once.

Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.

There aren’t enough great punk records coming out about the current hellscape, but UltraBomb’s latest is certainly one of them.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

Poison Ruïn have come closest to their original goal of embedding themselves in the lineage of early punk and post-punk. Hymns from the Hills is a powerful listen.

Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Evil Island features three members of the Blood Brothers, and the rotting apple doesn’t fall far from that tree.