
UltraBomb’s Punk Legends Deliver a Fiery, Fun Time
There aren’t enough great punk records coming out about the current hellscape, but UltraBomb’s latest is certainly one of them.

There aren’t enough great punk records coming out about the current hellscape, but UltraBomb’s latest is certainly one of them.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

Poison Ruïn have come closest to their original goal of embedding themselves in the lineage of early punk and post-punk. Hymns from the Hills is a powerful listen.

Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Evil Island features three members of the Blood Brothers, and the rotting apple doesn’t fall far from that tree.

Pale Skies pairs two of the melodic hardcore’s strongest acts of the past year: Square One and Turn of Phrase.

Philadelphia band Sweet Pill’s sophomore release is a cathartic journey through writer’s block to rediscover resilience and optimism.

Young Fresh Fellows’ Loft proves their instincts still spark. They are loose, witty, and restless four decades after their genre-shaping debut.

Gouge Away’s “Figurine” is perhaps even a little prettier in the verses than the highlights of Deep Sage.

D.R.L.N. have gotten closer than ever to capturing their live experience on the singles they have released recently.

Hole bassist Melissa Auf der Maur’s memoir goes beyond clichés to offer a truly compelling perspective on the bohemian community of 1990s rock.

Time doesn’t heal all wounds, but we have music to help. Touché Amoré’s Stage Four is as raw a statement on grief as there has ever been.