In this interview with Jan St. Werner, the veteran electronic musician discusses how Mouse on Mars have attempted to blur the distinction between machine intelligence and empathy on their new album AAI.
Nine US-based musicians discuss surviving and adapting to the changing music industry in our extraordinarily challenging time of pandemic shutdown.
So you think you know the difference between right and wrong? Sure about that? Juan Enriquez's Right/Wrong, excerpted here courtesy of MIT Press, might shake you loose from your convictions.
Shortly after the reactor explosion in Chernobyl in 1986, officials in Belarus offered up an argument that will be hauntingly familiar to those tracking the spread of COVID-19.
Kenneth Goldsmith's Duchamp Is My Lawyer, a tale of the creation and upkeep of the anti-internet internet, UbuWeb, is highly engaging and avoids the risk of ploughing down theoretical wormholes of limited interest.
Whether you remember waiting for dial-up access, tiny screens, and green lines of text or not, you'll get a kick out of Alex Wiltshire's travel back in time to when computers came with wires. Enjoy this excerpt of Home Computers, courtesy of MIT press, with nostalgia photography by John Short.
The technology and liberalism of recent series such as Star Trek: Discovery, Star Trek: Picard, and the latest Doctor Who series have more in common with Harry Potter's childish wand-waving than Gene Roddenberry's original techno-utopian dream.
We are afraid of time, and so like Leonard in Memento, we kill it, compulsively and indiscriminately.
Like Netflix, the VCR diluted and transformed the film itself.
Anna Wiener's Silicon Valley memoir, Uncanny Valley, reveals a piratical industry choking on its own hubris and blind to the cost of its destruction.
Could it be that the internet and social media is innately in sync with conservative, right-wing ideology? On Jen Schradie's The Revolution That Wasn't.
