Alexandria Ocasio-Cortez comic New Party, Who Dis? - with its ninjas, spaceships, dancing, explosions, FDR, wrestling, and orange hair - names and satirizes the oppressive dog whistles that undermine marginalized peoples in America and in American politics.
Blurgits—the drawing of multiple limbs to suggest motion— is effective in Yann Kebbi's artwork for The Structure Is Rotten, Comrade, creating a world teetering on carefully crafted incoherence—which is well suited to Viken Berberian's script.
Frederick Luis Aldama's Eisner-winning history, Latinx Superheroes in Mainstream Comics, uncovers ways in which the mainstream American comic-book industry regularly shortchanges characters who represent marginalized peoples.
By perfecting the comic book superhero formula and creating the first big-budget shared universe with The Avengers in 2012, Joss Whedon and Marvel Studios came to define this decade of blockbuster filmmaking.
Charles Forsman and Max de Radiguès' graphic fiction collaboration, Hobo Mom, is successful both in its minimalistic visual approach and its realistic treatment of the emotional dynamics of an estranged but well-intentioned family.