The Tea Club's latest single finds the quintet evoking classic folk rock artists in the midst of maintaining their knack for evocative songwriting and arrangements.
Jambinai's ONDA finds cross-cultural influences from traditional Korean music, post-rock, and atmospheric metal, but their ethos is certainly more complex than a fusion or hybrid project.
Damon Albarn's "third official band" is bittersweet, endearing, and profoundly moving during an intimate, politically-charged gig in the German capital.
From a 35-piece orchestra to a lean, five-person ensemble, These New Puritans are always changing. That continues with the new album, Inside the Rose, says George Barnett, "The pop bits are more pop and the extreme bits are more extreme."
Chris Cohen's self-titled third solo album is as unassuming as it gets, yet it is unequivocally quality work by an extraordinarily skilled artist. Plus there are sax solos.
Sparked by Caravaggio's Boy with Basket of Fruit, Xiu Xiu's Jamie Stewart sees the title of their latest work, Girl with Basket of Fruit, as a comment on feminist politics and the precarious role of women in the world.
To appreciate Why You So Crazy requires curiosity and diligence. The Dandy Warhols still maintain their position as creators of formidable and gutsy art rock despite the album's pitfalls.
Returning after the very strong Forget, the experimental band Xiu Xiu returns with their new album, revisiting their more chaotic and unpredictable self in order to further their sound.
