Alonso Ruizpalacios ‘A Cop Movie’ Walks a Thin Genre Line
Alonso Ruizpalacios’ sort of documentary, ‘A Cop Movie’ (Una película de policías), takes on the challenge of presenting what real-life policing looks like.
Alonso Ruizpalacios’ sort of documentary, ‘A Cop Movie’ (Una película de policías), takes on the challenge of presenting what real-life policing looks like.
Alfred Hitchcock’s Number Seventeen isn’t a great film but a good one that reminds us of what a casually obsessive craftsman he was.
In a world where everybody knows that Peter Parker is Spider-Man, universes are bound to go crazy, and that makes Spider-Man: No Way Home fantastic entertainment.
Frankenstein’s daughter, in modern parlance, is some kind of proto-“trans” creation of a woman’s mind within a patched-together male body. This is heady stuff.
Award-winning director Amanda Aldana’s Shapeless is a sensitive study of anorexia and the power of the mind over the body.
Lynne Ramsay’s gutting, eerily beautiful first film, Ratcatcher, shows a director refusing to let the impoverished circumstances of her characters define them.
John Mathis’ Where’s Rose, which premiered at Raindance Film Festival 2021, explores the misogynistic darkness behind the charismatic personality.
Directed by low-budget maestro Bernard Vorhaus, the restored film-noir ‘The Amazin Mr. X’ is an unpredictable little specimen of spookery-pokery.
The cast of Eternals may be the broodiest Marvel characters to date, but that’s about the only “new” thing about this film.
Lucile Hadžihalilović’s subversive Earwig is rooted in the dark origins of fairytales – before they were pacified for modern childhood consumption.
Director Philip Barantini’s one-take drama Boiling Point explores the tipping point the modern “rat race” is pushing us toward.
Terence Davies’ Benediction effectively evokes wartime suffering via British World War I poet and author Siegfried Sassoon’s story.