Little Common Twist, the latest improvisatory album from Ryley Walker and jazz drummer Charles Rumback, sounds like listening. The two musicians are locked in intuitive communion that confines neither guitar nor drums to their pigeonholes. We ask them how they do it and why.
Todd Snider's 2004 album, East Nashville Skyline, is getting a new lease on life with a new vinyl edition, but the veteran troubadour remains creatively restless and committed to his musical future. "I might sound like I know how life works but I don't. I know less about it all the time."
Bruce Springsteen's 1995 album, The Ghost of Tom Joad, inherited and built upon some powerful 20th century American literary, political, and pop culture themes. Can we hear its haunting call in these times?
A flop in 1974, but now looked on as one of popular music's finest albums, does this expansive 4AD reworking of Gene Clark's No Other confirm its greatness, or reveal a case of the emperor's new clothes?
Americana's Allison Moorer has traveled the world, but revisits the early years of her small-town past — and the horrific moment that changed two sisters' lives — with an album and memoir that go to hell and back.
The Velvet Underground's 1969 self-titled release, known as the "Grey Album", blazes boldly 50 years later, and retains the same sonic relevance as a Laura Nyro or Nick Drake record: artworks utterly of their moment, that sound like they could have been made yesterday.