
Margaret Glaspy Highlights Beautiful Dualities on New Album
Indie folk artist Margaret Glaspy’s latest album, I Am Both, is a low-key masterwork of observational wisdom, lilting melodies, and sharp wit.

Indie folk artist Margaret Glaspy’s latest album, I Am Both, is a low-key masterwork of observational wisdom, lilting melodies, and sharp wit.

Across 25 minutes, MOMO.’s Tum Tum Tum weaves a dream of sun-splashed Brazilian warmth through samba, sultry trombone, and threads of Tropicália.

Although How Many Roads isn’t an essential Bob Dylan biography, not all books have to be necessary to be effective and rewarding.

Shearwater’s The New World presents a brilliant synthesis of the elements that inspire him, infusing nature into moving, multi-instrumental works of art.

Aaron Lee Tasjan wrestles with imposter syndrome and artificial intelligence on Get Over It, Underdog. Tasjan finds joy and pleasure where he can.

From the Vietnam War and mid-1960s sociopolitical turmoil to its 21st-century repurposing, P. F. Sloan’s folk-rock classic “Eve of Destruction” retains its eerie power.

Having lived in multiple countries, Julieta Venegas discusses taking her audience on a journey into the Norteño music of Tijuana.

Ten years after they walked away from it, Virginia’s Matt Jones and the Bobs return with a plainspoken record about getting older and staying who you were.

With Roses, Widowspeak further hone their songcraft while again offering entrancing soundscapes. Additionally, they flesh out their Americana proclivities.

Mike Richmond doesn’t leave us entirely in the dark. The almost hopeful moment arrives with “You Are Not Alone”, which reframes solitude as a shared condition.

With its brains and polish, folk rock band Widemouth’s No Gasoline doesn’t feel like a debut album, but it does suggest more and better to come.

Kevin Morby’s eighth LP, Little Wide Open, is a masterpiece of simple and, at times, epic proportions that will linger deep within one’s soul.