In this interview with Jan St. Werner, the veteran electronic musician discusses how Mouse on Mars have attempted to blur the distinction between machine intelligence and empathy on their new album AAI.
Electronic musician Markus Popp continues to make warm, creative and adventurous electronic music under the Oval moniker with his new EP, Eksploio.
On For You and I, Loraine James rightfully claims the title "Glitch Bitch" to explore what it means to be queer in the spaces of IDM and one of its places of origin, London.
Experimental electronic producer Burnt Friedman documents the musical melting pot of Berlin and Central Europe generally on his latest album. Watch his new video for "Supreme Self Dub".
Drew Daniel of Baltimore-via-Bay Area pranksters Matmos discusses their new album Plastic Anniversary, homophobic Montana moms, and the difficulties of recording a breast implant.
Experimental electronic duo, Matmos return after the exquisite Ultimate Care II with an etude on the various sounds that plastic materials can awaken.
Here we are in 2019, and Matmos is still producing sounds that just don't fit comfortably into any electronic subgenre currently available for classification.
Derek Piotr's Grunt isn't so much about the sound as it is about the spirit of the noise.
On Transit producer William Jourdain a.k.a. Automatisme takes his avant-garde notions to the next level.
Automatisme's music falls into the experimental end of electronic music as his new album, Transit, takes calculated samples from field recordings made at transit sites in Canada.
Just by doing what they normally do on their own, Daniel Lanois and Venetian Snares combine forces to make something wholly new.
Nonplace Records celebrates pioneering German electronic artist Burnt Friedman on career-spanning anthology.
