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Beats, Glitches and Melody: Oval's 'Eksploio' Is a Rich, Modern Treat for the Ears

Electronic musician Markus Popp continues to make warm, creative and adventurous electronic music under the Oval moniker with his new EP, Eksploio.

                                      
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Electronic musician Markus Popp continues to make warm, creative and adventurous electronic music under the Oval moniker with his new EP, Eksploio.

Experimental electronic duo, Matmos return after the exquisite Ultimate Care II with an etude on the various sounds that plastic materials can awaken.

Here we are in 2019, and Matmos is still producing sounds that just don't fit comfortably into any electronic subgenre currently available for classification.

Derek Piotr's Grunt isn't so much about the sound as it is about the spirit of the noise.

On Transit producer William Jourdain a.k.a. Automatisme takes his avant-garde notions to the next level.

Automatisme's music falls into the experimental end of electronic music as his new album, Transit, takes calculated samples from field recordings made at transit sites in Canada.

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Popp goes beyond the cerebral and scattered surface that it first projects to become something far more affirming, revelatory, and perhaps even joyful.

FaltyDL's newest floats around without aim or interest.

Glitched out, wiggy bass music from heavyweight sound designing newcomer Matthew Wilcock

The star of abstract electronica, IDM and glitch returns! I guess it's not "Good Bye Forever" after all...

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Glitchy loops and droning organs make for a surprisingly moving electronic elegy on Brooklyn duo's latest

Having awakened your senses at the same time it tests your patience, The Mortimer Trap leaves you gratefully spent.

An experiment between experimental musicians? The trio sound like strange tinkers under power lines, cobbling together these songs under constant drone, wavering dissonance.

Australian sound artist smudges, snaps, crackles, pops, and sprinkles the warm glowing remains all over.

Kelly's study provides access to some fascinating theories of, and experiments in, the "wrong" uses of technology as explored by some important sound artists of the phonographic era.

Master of the musical pun, Kid606 still lives up to his puerile namesake and brings us all down to his level for an amazingly fun journey through wonky-synth dance music.

Most of Travis Stewart's fourth Machinedrum album sounds noisy, and it is hard to tell how much of the distortion is purposeful glitch-hop or generally lazy. It's not his best work.

Heron's best work since One Word Extinguisher is a true album experience, meant to be played start to finish in one uninterrupted session for maximum enjoyment.

One of the quirkiest and funkiest folk-glitch albums ever made.

Pole exists in minimalism's ghetto and its grotto, impoverished and sparse but never lacking in appreciation of its personal surroundings.

Yvat's new EP Chroma sounds at least as "designed" as it does composed.