McKenzie Wark’s ‘Raving’ and the Need to Dissociate from the Body and Self
McKenzie Wark’s understanding of ravespace as a constructed situation in nonlinear ketamine-time comports with my experience raving on weekends as a freshman in college.
mckenzie wark
To the Vector the Spoils: On McKenzie Wark’s ‘Capital Is Dead’
In a brave new world dominated by platforms such as Facebook, Uber, and Airbnb, and marked by anxiety in the Age of the Anthropocene, McKenzie Wark's Capital Is Dead eschews digital utopianism for a sense of urgency that recognizes things have gotten serious.