Michael W. Clune argues that a popular mantra about art – everyone’s judgment is equal – impedes our ability to imagine a world outside of the capitalist marketplace.
Matt Brim's Poor Queer Studies underscores the impact of poorer disciplines and institutions, which often do more to translate and apply transformative intellectual ideas in the world than do their ivory-tower counterparts.
Kenneth Goldsmith's Duchamp Is My Lawyer, a tale of the creation and upkeep of the anti-internet internet, UbuWeb, is highly engaging and avoids the risk of ploughing down theoretical wormholes of limited interest.
Stephanie Ross' book on aesthetic philosophy, Two Thumbs Up, can be used as a dissertation template. Just expect -- like a critic -- to argue with it, at times.
Mark Fisher's insights are often obscured in Matt Colquhoun's personal/academic hybrid, Egress, which ranges far and wide over philosophy and pop culture.
Prolific literary critic Terry Eagleton tries to explain how but doesn't tell why, we shouldn't read about vacuum cleaners in How to Read Literature.
A certain species that thrive in English departments and creative writing programs make good fodder for satire in Dana Schwartz's The White Man's Guide to White Male Writers of the Western Canon.
Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, the contributors to Abjection Incorporated examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Enjoy this generous excerpt, courtesy of Duke University Press.