Chris Carter, the architect of Throbbing Gristle’s sound, lets the ripple effects do the talking on the reissues of Electronic Ambient Remixes Three.
Portico Quartet’s Terrain is where grand ambitions and warm sounds meet at an opportune intersection where texture ultimately overrules genre.
Sleaford Mods' 11th studio album runs a glorious gamut from righteous anger to poignant introspection in a masterpiece of incisive cultural commentary and fully realized artistic vision.
Tristan Perich's Drift Multiply is essential listening regardless of your tastes, the combination of violins and one-bit processors has never sounded so graceful.
Eclectic instrumental trio numün combine a wealth of influences to create a vibe that's both spacey and earthy on voyage au soleil.
Nate "Rocket" Wonder and Roman GianArthur composed a thrilling neo-classical score for Janelle Monáe's new film, Antebellum. Hear the dramatic "Opening" of the soundtrack.
At 83, it's clear Jon Hassell's music is forever contemporary. All he's had to do is leave open space for the next exploration, as he does on Seeing Through Sound.
Choral singing, piano, synths, and an "upside-down" orchestra complement crowd-sourced voices from across the globe on Max Richter's VOICES. It rewards deep listening, and acts as a global rebuke against bigotry, extremism and authoritarianism.
Brooklyn experimental quartet JOBS don't have a conventional musical bone in their body, resulting in a thrilling, typically off-kilter new album, endless birthdays.