Approached as neo-classical minimalist jazz, Filters is a triumphant solo debut from Phillip Golub and another fascinating album from greyfade.
On New Primes, Vermont experimentalist Greg Davis explores process-based composition, with a little help from a record label that revels in the concept.
11 5 18 2 5 18 makes it sound like Yann Tiersen has been dabbling in deeply abstract instrumental synthesizer mood music for decades. Yes, he pulls it off.
Composer and violist Jessica Pavone continues to explore the tactile and sensorial experience of music as a vibration-based medium on ...of Late.
Jeremiah Chiu and Marta Sofia Honer Build a New Sense of place on ‘Recordings From the Åland Islands’
Recordings From the Åland Islands goes beyond soundscape ambience and utopian visions of isolation and delves into the living connections between people, place, and sound.
Christopher Otto and experimental string ensemble JACK Quartet apply the concept of “just intonation” to create a stirring, intense triple string quartet.
Nala Sinephro’s Space 1.8 is minimalist, an understated electroacoustic gem perfect for late-night listening. It’s one for the pantheon of cosmic jazz classics.
Backed by an eclectic group of musicians, the latest work from violist/composer Jessica Pavone is centered on intuition and instinct.
Insect Ark is Dana Schechter’s solo project again and the focus is no longer on heavy music but on dark ambient atmospherics for the new EP, Future Fossils.
“It’s really simple,” Yann Tiersen explains. “There is no inspiration out of [the location], there is no deeper meaning than to just juxtapose music and places.”
Chris Carter, the architect of Throbbing Gristle’s sound, lets the ripple effects do the talking on the reissues of Electronic Ambient Remixes Three.