Bob Dylan’s 1966 song, “Visions of Johanna”, stirred Germaine Greer, Greil Marcus, and other notable critics to argue the song’s meaning and influences. Who is right?
John Milward’s new history of Americana puts the mixed genre at the corner of country and rock while slighting race and the music’s Black roots and performers.
I had to take numerous breaks while reading Silenced by Sound. Ian Brennan’s self-righteous clairvoyance would just not stop beating me over the head.
33 1/3 book 24-Carat Black's Ghetto: Misfortune's Wealth, is a refreshing outlier in the series in that it's about an influential yet barely known album.
The first book from Switched on Pop hosts Charlie Harding and Nate Sloan leans into the podcast's academic tendencies, as it makes the case for music fans to take all music a bit more seriously.
Lucky for you, philistine listener and reader, we critics are here to make your listening experience truly authentic by bringing you into the "back to their roots" covenant of artistic judgment.
In this excerpt of a history of the UK music press, A Hidden Landscape Once a Week, Tony Stewart recalls his time as writer and deputy editor at NME (1971-85) — the strengths and pleasures of teamwork and the vital role of the visual in the energies of a rock paper.
Jessica Hopper's Night Moves is a dozen thorny roses for the city that keeps blowing its windy-ness beneath her darkly comic wings.
Viewing Aretha Franklin's work through a focus on race, gender, and other categories of analysis can challenge us to do the same with all music, acknowledging how multiple points of oppression and privilege impact the production, consumption, and reception of a wide range of music.