Liza Minnelli and Pet Shop Boys United on the Camp Classic ‘Results’
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
The Beach Boys documentary appeals to Gen Z and Gen Alpha via Disney Plus with a breezy, linear, appreciation of the band’s sunny legacy.
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
Maude Latour’s ambitious debut LP suggests something rare: a visionary willing to trust her vision. The record offers a cohesive manifesto of mysticism.
Manfred Mann doesn’t think he’s the best synthesiser player in the world, but he brings a distinctive voice to the old technology. Just keep AI out of music, dammit.
Anitta’s Funk Generation serves as Brazilian Funk 101 for listeners unfamiliar with the genre. It also serves as her “this is it” moment.
Will Katy Perry’s new “love frequency” spirituality on 143 suffer the same static interference we hear on the self-undercutting lead single?
Australian pop diva Kylie Minogue dazzles in a fantastic, career-spanning show on a substandard opening night of Budapest’s Sziget festival.
Over 12 years from her debut to sophomore outing Bingo!, Alex Winston successfully evolved from a big-budget pop star to an independent newcomer.
How a stroll through the David Bowie exhibit at the Victoria & Albert to an auctioning of a Samuel Beckett manuscript at Sotheby’s left me at the World’s End.