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PopMatters is moving to WordPress. We will publish a few essays daily while we develop the new site. We hope the beta will be up sometime late next week.

San Diego's Kimm Rogers taps into frustration with truth-masking on "Lie". "What I found most frustrating was that no one would utter the word 'lie'."

The 10 Best Snippets from the Solo Sonic Psychology of John Winston Ono Lennon.

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Australian alt-pop singer-songwriter, merci, mercy shares a video for her catchy, sophisticated anthem, "Fall Apart".

London's Cristina Hart may be a "Bad Girlfriend", but she has a way with a catchy dance pop tune.

Irish alt-pop singer-songwriter Rebekah Fitch possesses a powerful and moving voice filled with emotion, and her latest single "Dust" is a gorgeous elegy on loss.

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Yachtclub101's "Leave Me Alone" sparkles with glorious pop melodies, bubbly synths, infectious dance beats, sing-along choruses, and cats.

Badfinger's Joey Molland shares "Rainy Day Man" ahead of a new album. At 73, Molland remains optimistic about the future. "I'm a positive guy and I don't care how dire a situation looks," he says.

"Better Off" highlights alternative pop's Ty Trehern's marriage of dark and light. "There is a difference between wants and needs," he says.

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As the go-to producer for everyone from Lizzo to Twenty-One Pilots, Ricky Reed is at the top of his game. Discussing his new solo venture, The Room, the hitmaker opens up about his inspirations, collaborators, and hopes for a better future.

Think of Smile as Katy Perry doing the work to (eventually) get her groove back: she's recharging. Smile plays like a necessary centering exercise, indulging her insecurities and less surefire instincts.

Los Angeles alt-pop artist Luna Shadows confronts contemporary anxieties with a bit of light nostalgia on her new single, "The Nineties".

Fans of Billie Eilish, Chelsea Cutler, and Jessie Reyez will find elements of the familiar here, but River Hooks proves herself as an artist with her own voice working in a well-honored tradition.

For their eighth studio album, The Game, Queen ushered in the 1980s with a streamlined sound and an instrument they formerly took great pains to avoid.

British alternative pop singer-songwriter Ben Kidson blends punk and pop on his warm and hook-filled new single, "(When I) Runaway".

Australian pop artist CXLOE has released her latest single "One and Lonely", another proper anthem from the rising artist that has already racked up more than 32 million streams.

Taylor Swift's childhood has frequently acted as the rare domain that can neither be snatched by tabloids nor staked out by fans, but "seven" from her latest LP folklore presents a narrative of innocence dragged out of a child by abuse.

Pleasure Line shows that Video Age clearly have the musical chops to pull off a precise pastiche, but it also shows a band that went too far down that rabbit hole.

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St. Louis funk-poppers Starwolf release "Bad Feeling" in which dreamy funk and soul vibes abound.

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Cue Erasure's new album: The Neon. Music may not by itself cure our societal ills, but the virtue of superb electropop is that it helps make them seem a bit less insurmountable.

Cajun popsters Sweet Crude share a new video for "Impuissance" featuring the stirring vocals of Alexis Marceaux and celebrating the intersection of tradition and innovation.

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Rufus Wainwright has done Judy Garland, Shakespeare, and opera, so now it's time for Rufus to rediscover Rufus on Unfollow the Rules.

A monster hit for Meredith Brooks in the late 1990s, "Bitch" gets a new lease on life from its co-creator, Shelly Peiken. "It's a bit moodier than the original but it touts the same universal message," she says.

With influences ranging from Angel Olsen to Joni Mitchell and Perfume Genius, Leila Sunier demonstrates her compositional prowess on the new single, "Sober/Without".