Grace Bowers Goes Punk and Has a Great Time
Grace Bowers’ latest EP features short, staccato, grungy electric-guitar riffs, lots of shredding, pounding drums and bass, and a sneering attitude. It rocks.
Grace Bowers’ latest EP features short, staccato, grungy electric-guitar riffs, lots of shredding, pounding drums and bass, and a sneering attitude. It rocks.
Political punks, the Iron Roses’ latest collection, Molotov Nights, is their strongest yet, a state of the union that enrages and inspires.
At Comerica Park, Detroit’s original punk provocateur Iggy Pop turned a supporting slot into a confrontation between rock’s past and its future.
We chat with ME. to plumb the depths of this newborn band’s soul and see how the bitter experiences of adulthood can blossom into surprising transformation.
Emo Revival author Andrew Sacher discusses the importance of the 2010s emo explosion in his new scene history, which is a must-read.
Punk troubadour Jesse Malin discusses reckoning with his past by writing about it and looking forward to making new music.
“I truly feel that this is the best record I’ve ever made,” says the Blood Brothers’ Johnny Whitney of Evil Island, his new fiery, political, and defiantly different project.
Rather than redefining screamo, snag. demonstrate just how much expressive range exists within the genre, bringing forgotten possibilities back into focus.
Featuring members of the beloved Blood Brothers, Evil Island’s debut shows significant growth while delivering what made their previous band so essential.
On Sex Prisoner’s Cautionary Tale, the transitions between powerviolence, hardcore and sludge are cleaner, each shift landing with maximum impact.
The 2010s were a pivotal era for emo. One of the most appropriate to trace the history of the emo revival is Andrew Sacher, who spent 16 years covering the scene.
On Halcyon Blues, Citizen’s sixth album for Run For Cover, the elder emo band’s various moods and phases finally come together.