Although Andre Perry's essays in his debut, Some of Us Are Very Hungry Now, traverse various geographical journeys, they are, overall, ballads, images from the self, the man isolated and marginalized in other countries and in his own land.
Scholar Qiana Whitted's EC Comics: Race, Shock & Social Protest explores a different path in EC Comic's history: their work with social justice stories and the resulting censorship in 1950s America.
Noted historian David W. Blight offers readers the fullest portrait of Frederick Douglass yet in this "biography of a voice".
The Asian legacy of Doctor Strange is more complex than you know.
Papi Chulo's heart is in the right place. The problem is, from the Latino perspective, the "friendship" in this story could be the basis of a horror movie.
Among other critiques of identity politics, Haider believes that we each can slip between identities at will. Indeed, it's a universal human condition.
The humor in this film goes hand-in-paw with the blunt, vulgar symbolism of a dog's lifted leg in the opening credits.
How the allure of newness is leading Kanye West astray.
Instead of cherry-picking facts and quotes, Joseph Vogel lets Prince's legacy shine in all its vague and erratic splendor.
With the recent release of Bad Stories: What the Hell Just Happened to Our Country, Steve Almond talks in-depth about the US president whom most parents wouldn't even let on the playground -- and about his beef with the American left.
Black Panther is more than just another Marvel blockbuster; it's a revelation in Western depictions of Africa and African women.
In light of movements like Black Lives Matter and Me Too, Dave Chappelle's 2000 film, Killin' Them Softly may be even more relevant today. But how's his humor holding up?
First-time directors Boots Riley and Carlos López Estrada tackle racial identity in radically different ways.
Reading the struggle of Patterson and her comrades a century ago reminds us that today's racist violence is not a temporary aberration but a deeply rooted and pervasive flaw in American society.
If you can't make it to the Bata Shoe Museum, then pick up this oddly thrilling explanation of things we already suspect about footwear.
Julie Lythcott-Haims gives a voice to the internal dialogue—the self-loathing, really—of living a life as a biracial woman who, for most of her life, wasn't quite sure if she was allowed to call herself black.
How did Ray Charles become a key face and voice for country music in the '60s?
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