Music

Hiroe Sekine: After the Rainfall

Steve Horowitz

Sekine’s gentle piano playing largely provides the rhythm and tempos over which the sound of a saxophone, flute, bass, drums, and even occasional vocals pour like honey.


Hiroe Sekine

After the Rainfall

Label: Sekai
US Release Date: 2012-03-20
UK Release Date: Import
Artist website
Amazon
iTunes

The watercolor rainbow sky that graces the cover of pianist Hiroe Sekine’s second CD, After the Rainfall, serves as an appropriate visual metaphor for the music inside. The soft colors that flow into each other could be the aural tones of her and her six musical collaborators. Sekine’s gentle piano playing largely provides the rhythm and tempos over which the sound of a saxophone, flute, bass, drums, and even occasional vocals pour like sugar water. The sound is always light and airy. She wrote several of the tracks and covers Antonio Carlos Jobim, The Beatles, Thelonious Monk, and Chick Corea with equal aplomb. The effect is dreamy rather than serious. Sekine underplays the music, moving slowly and delicately on the keyboard. She’s not afraid of the spaces between the notes and employs silence as a strategy to get people to listen even closer. Sometimes this can be sleep inducing. That’s not exactly a criticism because the album clearly seeks to relax the audience.

6

Music

Books

Film

Recent
Film

What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .

Music

West London's WheelUP Merges Broken Beat and Hip-Hop on "Stay For Long" (premiere)

West London producer WheelUP reached across the pond to Brint Story to bring some rapid-fire American hip-hop to his broken beat revival on "Stay For Long".


Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.