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The Moving Pixels Podcast Becomes Sentient, Discusses 'The Fall Part 2: Unbound'

This week we discuss self-consciousness, self-identification, and awful puzzle design in The Fall: Part 2 - Unbound.

Games

Han Solo? More like Han Zero!

Solo: A Star Wars Story inexplicably ruins an icon.

Film

The Moving Pixels Podcast Goes to Hell...blade

We brave the depths of Helheim to talk about the art, craft, and representation of psychosis in Hellblade: Senua's Sacrifice.

Games

'Pacific Rim Uprising' Is a Downer

By the time Steven S. DeKnight's monster v. robot slugfest starts to get fun, it's too late to forget all the boredom that preceded it.

Film

'A Wrinkle in Time' Transports Us to... Nowhere

Adults nostalgic for Madeleine L'Engle's children's book will get whiplash when the tone shifts from thoughtful family drama, to mindless action adventure, to psychedelic nightmare.

Film

The Moving Pixels Podcast Kills Nazis Again, in 'Wolfenstein 2: The New Colossus'

This week, Nick and Eric take up arms in order to free America from the Nazi regime, and occasionally talk about Wolfenstein: The New Colossus.

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The Moving Pixels Podcast Kills Nazis with 'Wolfenstein: The New Order'

This week on our games podcast, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

Games

'Necropolis': Randomly Generated Blandness

The dungeons may be randomly generated, but Necropolis guarantees monotony around every corner.

Anthony LaBella

Reviews

A General, a Princess and Two Greedy, Dim-Witted Peasants

The Hidden Fortress is more "accessible" and "entertaining" than Rashômon, but Kurosawa's artistry is ever present.

Film

'Star Trek: Enterprise' Was Never Fully Assimilated

Enterprise's writers and producers had the unenviable task of creating first contact with the Borg substantially earlier than Captain Picard's crew.

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The Moving Pixels Podcast Becomes Sentient, Discusses 'The Fall Part 2: Unbound'

This week we discuss self-consciousness, self-identification, and awful puzzle design in The Fall: Part 2 - Unbound.

Han Solo? More like Han Zero!

Solo: A Star Wars Story inexplicably ruins an icon.

The Moving Pixels Podcast Goes to Hell...blade

We brave the depths of Helheim to talk about the art, craft, and representation of psychosis in Hellblade: Senua's Sacrifice.

'Pacific Rim Uprising' Is a Downer

By the time Steven S. DeKnight's monster v. robot slugfest starts to get fun, it's too late to forget all the boredom that preceded it.

'A Wrinkle in Time' Transports Us to... Nowhere

Adults nostalgic for Madeleine L'Engle's children's book will get whiplash when the tone shifts from thoughtful family drama, to mindless action adventure, to psychedelic nightmare.

The Moving Pixels Podcast Kills Nazis Again, in 'Wolfenstein 2: The New Colossus'

This week, Nick and Eric take up arms in order to free America from the Nazi regime, and occasionally talk about Wolfenstein: The New Colossus.

The Moving Pixels Podcast Kills Nazis with 'Wolfenstein: The New Order'

This week on our games podcast, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

'Necropolis': Randomly Generated Blandness

The dungeons may be randomly generated, but Necropolis guarantees monotony around every corner.

A General, a Princess and Two Greedy, Dim-Witted Peasants

The Hidden Fortress is more "accessible" and "entertaining" than Rashômon, but Kurosawa's artistry is ever present.

'Star Trek: Enterprise' Was Never Fully Assimilated

Enterprise's writers and producers had the unenviable task of creating first contact with the Borg substantially earlier than Captain Picard's crew.

Suede's Second Coming Continues with 'The Blue Hour'

Grandoozy in Eight Hours on Orange Sunday: St. Vincent, Denver Broncos Play to Win

The Reverend Peyton's Big Damn Band Pierce Through the Darkness with "You Can't Steal My Shine" (premiere)

Paul McCartney Travels to 'Egypt Station' for an Enjoyable Stop in a Prolific Career

'Talking to My Daughter About the Economy', and Putting Economists In Their Place

A Hawk and a Hacksaw Summon a Vibrant Folk Spiral with "The Sky Is Blue, The Desert Is Yellow" (premiere)

QUIX Shares New Single, "Giving Up" and Announces Illusions EP + Fall Tour (premiere)

Handgrenades Drop Video for Stomping, Fuzzy New Song "Honey B" (premiere)

Posh Hammer Explores What It Means "To Kill Time" (premiere)

Ashleigh Flynn & the Riveters Get the Job Done With "This Love" (premiere + interview)

The Reverend Peyton's Big Damn Band Pierce Through the Darkness with "You Can't Steal My Shine" (premiere)

Granville Automatic Unfurl a Piece of Nashville History with "News of the World" (premiere)

Ike Reilly's "Clean Blood Blues" Captures Attitude, Artistic Grit (premiere)

Thayer Sarrano's Poetic, Gothic "I Will Never Be Used to Your Beauty" Establishes Exciting New Voice (premiere)

This week we discuss self-consciousness, self-identification, and awful puzzle design in The Fall: Part 2 - Unbound.

This is a timeless list of 20 thrilling Star Trek episodes that delight, excite, and entertain, all the while exploring the deepest aspects of the human condition and questioning our place in the universe.

Solo: A Star Wars Story inexplicably ruins an icon.

We brave the depths of Helheim to talk about the art, craft, and representation of psychosis in Hellblade: Senua's Sacrifice.

By the time Steven S. DeKnight's monster v. robot slugfest starts to get fun, it's too late to forget all the boredom that preceded it.

Adults nostalgic for Madeleine L'Engle's children's book will get whiplash when the tone shifts from thoughtful family drama, to mindless action adventure, to psychedelic nightmare.

This week, Nick and Eric take up arms in order to free America from the Nazi regime, and occasionally talk about Wolfenstein: The New Colossus.

This week on our games podcast, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

The dungeons may be randomly generated, but Necropolis guarantees monotony around every corner.

The Hidden Fortress is more "accessible" and "entertaining" than Rashômon, but Kurosawa's artistry is ever present.

Enterprise's writers and producers had the unenviable task of creating first contact with the Borg substantially earlier than Captain Picard's crew.