
Ayanna Witter-Johnson Brilliantly Re-Contextualises Jazz
Art needs new, refined voices to add a different dimension to the project as a whole. Ayanna Witter-Johnson is one such formidable bastion.

Art needs new, refined voices to add a different dimension to the project as a whole. Ayanna Witter-Johnson is one such formidable bastion.

Tönky Hönk bring an oddly comforting warmth, along with a healthy dose of idiosyncrasies, to modern, keyboard-based instrumental music.

While Lesley Mok has benefited from the spirit of collaboration, this “solo” album presents their unfiltered musical mind on a solitary, deeply enjoyable ride.

Throughout XXXXX, Arca balances her penchant for excess with a commitment to restraint. The cyborg, the biomechanoid, is now more human than a human.

Gen Z “jazz” duo DOMi & JD Beck conjure the breathtaking sophomore release Who Asked?, which straddles jazz, classical, electronica, and pop.

Hildur Guðnadóttir is the undisputed inheritor of Iceland’s classical mantle, and at the 2026 Reykjavik Arts Festival, she is finally back on stage in her homeland.

Taiga Ultan’s Shade Zero demonstrates that conscious music-making never fully abandons rules, even if those rules are not to have rules.

On Novella, composer Tyler Sabbag conjures a wonderful, sun-kissed orchestral jazz vibe that’s just in time for summer.

Composer and pianist Aaron Wyanski transforms the notoriously difficult Pierrot Lunaire by Arnold Schoenberg into lounge jazz.

ITERAE sees two trailblazing musician-composers, Joseph Branciforte and Jozef Dumoulin, experiment with keyboards and electronics.

Volume III sees the Canadian classical ensemble Flore Laurentienne combining analogue and electronic instruments brilliantly.

Ólafur Arnalds’ prolific recordings are matched by his eclectic range of styles and, significantly, the range of artists he works with, such as here, with Talos.