A Bittersweet Tale of Childhood Innocence, ‘Misunderstood’ Charms
Initially dismissed as a film for children, Misunderstood reveals some mature ideas about childhood and family and would sit better with adult audiences.
Initially dismissed as a film for children, Misunderstood reveals some mature ideas about childhood and family and would sit better with adult audiences.
In coming-of-age, “menstruosity” body horror films, the Final Girl is the sexual transgressor. As her sexual freedom grows, so does her monstrosity.
Gary of Licorice Pizza behaves like all male characters from Paul Thomas Anderson’s gallery of sociopaths, except now the type is cast as a romantic hero.
As cool as Marlon Brando, James Dean, Jack Kerouac or Dalton Trumbo, rebel Max "Flaco" Greenbaum grows up in Watts Riots-Vietnam-draft-era L.A. Too smart (and smart-mouthed) for school, the violence of this world is drawn in deep and lingers like the long, slow, life-saving drag of a cigarette.
Ramy's representation of the Muslim-American experience, the first-generation immigrant experience, and the bilingual experience, is a necessary and welcome addition to the millennial dramedy genre.
For a book so full of coded language, innuendoes, gossip, and rumors, Anna Burns' award-winning Milkman is perhaps really about silence.
Director Joel Edgerton's well-intentioned drama about gay conversion therapy fails to deliver any new insight or even a good cry.
Jenny Hval is writing for the senses, conjuring with almost nauseating accuracy sensations both mundane and extraordinary.
Jonah Hill's directorial debut is a deceptively rich examination of the male psyche.
Shannon Purser discusses her debut role in film, Sierra Burgess Is a Loser, catfishing, and the unrealistic expectations imposed on today's youth.