Modern life is rubbish and the world might really be ending but as Gorillaz’ “Dirty Harry” says, all we want to do is dance at the End of the World Party.
Moving from Kazakhstan to Russia to pursue her electro dreams, Minona Volandova’s Men Seni Suyemin project harbors surprising influences from Foals to Gorillaz.
The Los Angeles-based alternative electronic duo FINKEL talk about traveling mid-winter to a small island in Michigan to inspire their new album, Islanders.
Icelandic musician extraordinaire Björk finds a new outlet for artistic expression with a series of “body exploding” “unplugged”, orchestral performances.
11 5 18 2 5 18 makes it sound like Yann Tiersen has been dabbling in deeply abstract instrumental synthesizer mood music for decades. Yes, he pulls it off.
Matmos Brilliantly Re-purpose Electro-Acoustic Composition on ‘Regards Ukłony dla Bogusław Schaeffer’
Matmos flit between the high and low transforming them into sound art that gives pop culture a friendly jostling on Regards/Ukłony dla Bogusław Schaeffer,
Geographically Misha Sultan’s roots may be in Siberia, but sonically they’re everywhere. Ambient, dub techno, krautrock, chill-out—he does it all.
However you choose to define it, Plankton Wat’s Hidden Path is a rich, moody, and atmospheric work that caters to passive and active listeners alike.
Mike Paradinas’ (aka µ-Ziq) current creative streak takes a quick break with the Goodbye Remixes EP. Some of the remixes add perks the originals didn’t have.
From 10-12 June, the newly-founded festival Tempelhof Sounds will take its place among Germany’s biggest events, with a great chance of success.