With ‘The Fatalist’, Buffalo Nichols Returns Like a Vengeful Ghost
Building on his 2021 debut, with newly released The Fatalist, Buffalo Nichols looks to be a 21st century Delta king cut from the tattered soul-cloth of Robert Johnson.
Building on his 2021 debut, with newly released The Fatalist, Buffalo Nichols looks to be a 21st century Delta king cut from the tattered soul-cloth of Robert Johnson.
“Out on a Win”, the new single from Corb Lund’s upcoming LP, El Viejo, releasing in February 2024, is classic Lund: Meticulous, thoughtful, and genuine.
Beirut has turned inward on Hadsel and it’s an affirming, warm kind of music to serve as a soundtrack for the next valley surely coming for us all.
Their affinity for blending their sonic art with grassroots activism for social justice causes has made Rising Appalachia a musical voice for a better world.
Indie folk artist John Vincent III proclaims that love is central to his life on Songs for the Canyon and offers these songs as proof.
Looking back after 50 years at the Grateful Dead’s pivotal year of 1973, including Wake of the Flood and three November nights at Winterland.
Cat Power’s version Bob Dylan’s 1966 concert with the Band in Manchester is reverential but not literal and honors the legend more than the facts.
Dori Freeman’s music celebrates how one of life’s simple pleasures can raise us above our problems and give us the strength to continue.
Sylvia Tyson’s At the End of the Day reveals a thoughtful romantic with a heart full of spit and fire. The album is theatrical in the highest sense.
Sweden’s Fränder blend Scandinavian and Baltic musical traditions with global folk-rock in contemporary arrangements that are heartfelt and fresh.
Sufjan Stevens draws on his broad musical experience and stylistic flexibility for his new LP, giving Javelin musical wisdom and making it one of his best.
Laura Veirs’ Phone Orphans works because of its roughness. She’s not gilding the lily, and she offers her direct sensibility as a way to address her ignorance.