
With Ashes and Diamonds Daniel Ash Carries on His Bauhaus Legacy
Emerging from stints with iconic bands like Love and Rockets and Bauhaus, Daniel Ash carries his influence into a new act, Ashes and Diamonds.

Emerging from stints with iconic bands like Love and Rockets and Bauhaus, Daniel Ash carries his influence into a new act, Ashes and Diamonds.

Ghost’s more measured approach lends an appealing atmosphere of sadness, but fans will be clamoring for more energy and menace amidst the garishness next time.

Heartworms’ Glutton For Punishment is a highly intelligent, essentially perfect album. At 37 minutes long, it’s a precision-cut diamond.

Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.

Sharon Van Etten & The Attachment Theory incorporate synths and darker sonic textures that suit the singer’s cerebral thoughts and powerhouse vocals.

AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.

The experience of Ethel Cain’s Perverts is gloomy, powerful, and extremely terrifying. It’s practically a masterclass on how to score for a horror film.

The Cure’s Songs of a Lost World is a cohesive collection that skews dark, cinematic, meditative exploration of loss in all its forms.

The start of Nick Cave and the Bad Seeds’ world tour brings transcendence to the German capital and shows there is no taming the Great Bard.

“Alone” is one of the most devastating songs in the Cure’s entire catalogue, evoking an agonizing sense of loss that can deeply resonate with many listeners.

John Robb’s The Art of Darkness unburies an estimable wealth of knowledge of goth music and can sit comfortably beside the works of Greil Marcus and Jon Savage.

Chelsea Wolfe is as uncompromising a poet as she has ever been on She Reaches Out to She Reaches Out to She. The purpose is not to be more of the same.