The Mexican student struggle of 1968 reaches forward to democratic struggles today. Captured by Paco Ignacio Taibo II in two works, 1982's Calling All Heroes and this year's '68: The Mexican Autumn of the Tlatelolco Massacre, it's a powerful reminder of the resilience of democracy.
The memoirs of WWI soldiers are filled with references to seeing things that could not have been there. They knew that it was the war itself that haunted them, the war that became almost anthropomorphic, a self-conscious thing out to murder them.
In these trying times of Trump, as American chauvinism thumps its chest and loudly threatens those who question, there is little room for contemporary filmmakers, or policymakers, who encourage sympathy for the war-damaged, the wounded, the wrecked.
"Sound," writes musician, author, and historian Ted Gioia in Music: A Subversive History, "is the ultimate source of genesis... A song can contain a cataclysm." In this beguiling excerpt, Gioia leads us to the sound of the universe itself.
'Objectivity' in journalism has become a shield for privilege and a weapon for right-wing pundits, argues Lewis Raven Wallace in his work, The View from Somewhere: Undoing the Myth of Journalistic Objectivity.
Sarah Milov's The Cigarette restores politics to its rightful place in the tale of tobacco's rise and fall, illustrating America's continuing battles over corporate influence, individual responsibility, collective choice, and the scope of governmental power. Enjoy this excerpt from Chapter 5. "Inventing the Nonsmoker".
In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. This excerpt gives a taste of his engaging research into the rise of teenage culture and soul music's resistance against the city's infrastructural racism.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Creating a culture of consumption in 20th century Chicago meant making space for shoppers, which meant integrating women into public life, in a downtown dominated by men. Historian Emily Remus revels in the ramifications of that cultural shift in A Shoppers' Paradise.