
‘Amrum’ Presents Wartime Distress with Visual Grace
Fatih Akin’s visually beautiful wartime drama, Amrum, turns a child’s survival into a memory handed from one talented filmmaker to another.

Fatih Akin’s visually beautiful wartime drama, Amrum, turns a child’s survival into a memory handed from one talented filmmaker to another.

Zhao’s Hamnet subverts the “great man narrative” not by centering on the rising career of Shakespeare, but instead on the cost of his genius.
These best TV shows you may have missed include a show that’s ludicrously funny, one filled with scattershot mayhem, one that’s brutal and macabre, and a surreal comedy.

Like Steven Soderbergh, director Michael Winterbottom has become very good at shapeshifting, making his work difficult to shoehorn into a genre.

The not-so-subtle commentary on Hungary’s German and Italian allies, disguised within a lavish, escapist, romantic fantasy, is only one of the surprising things about Sirius.

At turns a twisty whodunit, historical drama, tender family comedy, and farcical urban safari, The Lowdown overwhelms, but never wears you down.

Ben Whishaw achieves something close to dialectical mesmerism in Peter Hujar’s Day; his performance is simultaneously monumental and mundane.

Erich Von Stroheim’s films fetishised a scandalous poke to the public’s eye, whereas Cecile B. DeMille’s films obsessed over middle-class verities.

Documentary Drop Dead City tells a serious story about NYC’s 1975 financial crisis with wit, gusto, and occasional profanity

Writers like Jan Carson understand that, in the absence of the Troubles, people of Northern Ireland may not know who they are, culturally or artistically, or may struggle to articulate who they are without it.
MoMA’s film restoration fest To Save and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.