
Ayanna Witter-Johnson Brilliantly Re-Contextualises Jazz
Art needs new, refined voices to add a different dimension to the project as a whole. Ayanna Witter-Johnson is one such formidable bastion.

Art needs new, refined voices to add a different dimension to the project as a whole. Ayanna Witter-Johnson is one such formidable bastion.

In this effort to push the boundaries of artistry, the erstwhile Hole member Melissa Auf der Maur has created something vitally interesting.

The Fierce and the Dead have traditionally pivoted between stoner and psychedelic hooks, suffused with sultry grooves undulating beneath the murky words.

LOVE is the first album credited to Dexys Midnight Runners since 1985, an apposite gesture since the themes and undertones link back to Don’t Stand Me Down.

Charli XCX, now on her seventh record, pursues the continuum of human feelings and flairs. This may be the most humane entry yet in the grand canon.

MISSIO’s Love & Heartbreak should be regarded as an art installation by its own terms, measurements that do credit to the furnished piece.

With the release of a box set that expands upon the Waterboys’ most iconic album, frontman Mike Scott reflects as much as he continues to propel forward.

Progressive rock needs to constantly evolve in keeping with the genre’s title, distinguishing it from other blues variants. For better, Yes continue to evolve.

An artist’s work is their own to paint. Blue Morpho sounds like the beginning of an impressive solo journey for Radiohead’s Ed O’Brien.

That Cocanha can conjure sound paintings with little more than their mouths and a minority language shows they are in complete command of their journey.

Foo Fighters’ Your Favorite Toy begs the question of why Dave Grohl opted to issue it as a band record when it could just as easily have been a solo album.

Rock needs potency to be powerful, something Sub*T contain in spades. This record needs maximum volume, as the sounds ricochet into the bones.