
Tess Clare Becomes Her Own Permission on ‘Diva 98’
Tess Clare’s debut album, Diva 98, is made by someone who decided she had waited long enough and mostly proves she was right.

Tess Clare’s debut album, Diva 98, is made by someone who decided she had waited long enough and mostly proves she was right.

With Filter, Bayonne demonstrates how the lushness of adult pop can coexist with the modular logic of modern bedroom production.

Josaleigh Pollett combines striking moments of experimentation with an uncanny knack for beautiful, often breathtaking songwriting.

For Rachael Sage, songs can do something few public conversations can. They create common ground before people retreat into fixed positions.

R&B artist Cautious Clay’s The Hours: High Noon delivers a deeply resonant reflection on daily life and time passing.

KiKi Holli made her name interpreting Dusty Springfield on a New York stage. She is a superb interpreter. Her own writing hasn’t quite caught up yet.

On Fire From the Hip, Finn Wolfhard builds on the 1970s rock-inspired palette of his debut, modernizing the record with clever cultural allusions.

Having lived in multiple countries, Julieta Venegas discusses taking her audience on a journey into the Norteño music of Tijuana.

For someone who spent so long playing on other people’s records, Jacob Ungerleider is supremely confident and utterly charming, yet refreshingly relatable.

Call it the Reverse Eno: beloved ambient-chill guy CFCF finds glam-pop success, but refuses to sell out his emotions along the way.

Indie rock institution Guided by Voices’ Crawlspace of the Pantheon is another winning chapter in a late-career run of high-quality releases.

Like a walk through an old cemetery at twilight, Pictish Trail’s Life Slime is a dark but often lovely experience.