
Pink Floyd’s ‘The Wall’ and the Three Ghosts of Subjectivity
Every brick in Pink Floyd’s The Wall shows that haunting lies not in wailing and chain-rattling but in trauma, alienation, and absence.

Every brick in Pink Floyd’s The Wall shows that haunting lies not in wailing and chain-rattling but in trauma, alienation, and absence.
Can The Zone of Interest, a film about a Nazi commandant and his family, have something to say about the modern day comforts so many enjoy?

Our pandemic quarantine has become the sublime enactment of Baudrillard's theory of consumption – that modern consumption, with its myth of individual liberty and choice, is in fact 'de-socialising'.