Fregonese’s ‘Marco Polo’ Traveled a Twisty Road to Production
Hugo Fregonese’s 1962 Italian-French production of Marco Polo is a film whose history is more twisty than the spaghetti Marco Polo discovered in China.
Hugo Fregonese’s 1962 Italian-French production of Marco Polo is a film whose history is more twisty than the spaghetti Marco Polo discovered in China.
Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.
Gently is, in Liza Minnelli’s own words, a “make-out” album. The 1996 record reaches for the kind of rueful, ruminative romance found in a smoky bar.
Jayne Mansfield’s dramatic performance in the John Steinbeck-adapted drama The Wayward Bus disproves the notion that she was only capable of playing a “dumb blonde”.
The final album of the Roger Waters Pink Floyd era is a difficult, challenging meditation on war and death. The Final Cut is undeniably ambitious and moving.
Tom Waits’ Closing Time serves as the “Swim at Your Own Risk” sign hanging above his musical swimming pool. There’s a whole world waiting beneath that water.
The characters’ prospects in the upcoming TV adaptation of Naomi Alderman’s The Power are dubious, considering it’s an idea-driven dystopian novel that fries them with an over-abundance of imagery and biblical allusion.
If you don’t finish this article with a newfound love of U2, at the very least, maybe you’ll leave with a newly-earned respect for the lads.
Is the Rolling Stones’ Goats Head Soup an underappreciated classic or a reckless work marking their descent into a misunderstood and chaotic era – and should we care?
Filmmaker Mark Cousins’ My Name Is Alfred Hitchcock uses provoking ideas to encourage expanding our understanding of the works of this 20th-century giant of cinema.
Peter Buck is revered for his work with R.E.M., but he’s made brilliant music with Billy Bragg, the Decemberists, First Aid Kit, and Eyelids. We pick ten of the best.
Watching Chris&RheasiaTv’s reaction video to Metallica’s “Master of Puppets” illustrates the power of these crossover connections.