SHOCKEY Makes the Perfect Pandemic Stoner Song with ‘”HIGH” (premiere)
Los Angeles' SHOCKEY goes in for a bit of glam rock mixed with lo-fi, slacker pop on an ode to the joys of being "high".
Los Angeles' SHOCKEY goes in for a bit of glam rock mixed with lo-fi, slacker pop on an ode to the joys of being "high".
The ten songs on Eight Gates from the late Jason Molina are fascinating, despite – or perhaps because of – their raw, unfinished feel.
A new compilation online pulls together a generous helping of B-side action from a band deserving of remembrance, Scotland's Urusei Yatsura.
With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies.
Re-released on vinyl to celebrate its 15th anniversary, Lou Barlow's EMOH offers a wide array of indie rock charms.
Former Kinison frontman Christopher L. Lewis releases Son on the Floor in August, and shares the infectious new single, "Bathe Clean" today.
Some sincere goofiness would feel glorious right about now. 2nd Grade, a power-pop group from Philly, have the goods we need in heaps on their full-length debut, Hit to Hit.
On The Prettiest Curse, Hinds create messy pop music that captures the vibrancy of youth without being childish.
Melkbelly's PITH wondrously pivots between noise-rock abandon and the warmness of lo-fi pop.
Car Seat Headrest push their lo-fi signature into newly polished (and labyrinthine) space on Making a Door Less Open. The result is a glittering look at our everyday fantasies, our patterns of style and denial.
Deslondes member Sam Doores goes solo during down time from the band. His new album upsets expectations about the nature of Americana music in 2020 and yet maintains strong ties to Doores' roots.
Black Lips concoct a lustful mix of cocaine country, psych stomp, and honky-tonk fire and brimstone on Sing in a World That's Falling Apart.