
Wolf Parade’s 2005 Debut Is Still a Revelation
Montreal band Wolf Parade’s haphazard formation and instant momentum yielded their most captivating work, including what would become their defining anthem.Â

Montreal band Wolf Parade’s haphazard formation and instant momentum yielded their most captivating work, including what would become their defining anthem.Â

Flint, Michigan band Greet Death’s latest album is a triumph of accepting endings and appreciating life’s pleasures in their time.

Emerging from stints with iconic bands like Love and Rockets and Bauhaus, Daniel Ash carries his influence into a new act, Ashes and Diamonds.

Singer Ellie Rowsell shines as a genuine rock god goddess as Wolf Alice rock a dazzling array of sonic flavors. It’s been a sensational night in Oakland.

The Lemonheads’ Evan Dando returns with his first collection of originals in quite some time, adding country and psychedelia to the mix.

Everyone in Shiner is focused on their new album, which is another stellar release, sure to please longtime fans and likely to convert some new ones.

If you loved Militarie Gun’s previous work, you will be singing along after a few listens this time, too. It’s an excellent, aggressive indie record with genuine heart.

Catchy melodies and big guitars are the order of the day on Sloan’s 14th album, with a side of Chris Murph’s jauntier piano-driven songs to change things up.

On Lovin’ You, Richard Ashcroft still seems too caught up in love, amidst attempts to try something new, and rarely taps into what made him such a songwriting force.

On Worldwide, Nashville egg-punks Snooper hatch from chaotic oddity into a fully realized band, channeling frenzy into sharp, urgent songs.

Jeff Tweedy’s courageous triple LP, played with a consistent set of musicians, serves as a meditation on his current mood and the state of the world.

Johnny Marr realizes that the songs are more important than the artist. Look Out Live! does the catalogue great reverence, justice, and flattery with conviction.