The best films of 2010 include a fake documentary, a comedy about Jihad, a vampire story NOT dealing with tacky tween romance, a haunting hillbilly noir, and an elegant tale about clones. Not necessarily the usual cinematic suspects.
We are afraid of time, and so like Leonard in Memento, we kill it, compulsively and indiscriminately.
Interstellar lurches toward an Inception-ish crosscutting climax, but the rush is not so thrilling as the imagery and the meaning of the corn; humankind's sole remaining sustenance.
