Originally a story about the perils of combating organised crime, The Dark Knight makes several radical departures that frequently result in the main characters being split among tonally disparate contexts whose relevance to each other is not always immediately evident.
In Interstellar, the widescreen sci-fi epic from Christopher Nolan, opening Friday, Jessica Chastain plays a scientist with a head full of equations, and questions, about time, relativity, quantum mechanics.
Everyone bemoans the remake, the bastardization of their memories, of something they hold dear. But times are constantly shifting, and our heroes cannot exist in a static universe. Without proper reinterpretation, would our pop icons still be relevant?
Even if Christopher Nolan wanted to go in a completely different direction, making something outside his frame of reference or comfort level, he would more than likely meet with near universal approval from within the industry.
Images of well-spoken men wearing dour expressions and designer suits have become to Christopher Nolan what terrycloth robes and light-sabers are to George Lucas or blood-spattered blades to Quentin Tarantino.
Zimmer reveals why he brought along Smiths guitarist Johnny Marr for the Inception soundtrack, how his relationship with Nolan works, and why the music was inspired by both David Bowie and mathematician Roger Penrose.
Similar to his colleague J.J. Abrams, Director Christopher Nolan has been running the kind of publicity campaign with trailers that offer scarce narrative information. The latest trailer reveals the most plot yet and proves why Inception is one of the most-anticipated blockbusters of the summer season.