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Back by popular demand! Recommendations from "40 Nights at the Movies" will keep you, your dog and your elephant glued to the couch for months.
Originally a story about the perils of combating organised crime, The Dark Knight makes several radical departures that frequently result in the main characters being split among tonally disparate contexts whose relevance to each other is not always immediately evident.
Interstellar is a movie full of Big Ideas that end up overshadowing the human element, particularly during the poorly plotted first act.
Interstellar lurches toward an Inception-ish crosscutting climax, but the rush is not so thrilling as the imagery and the meaning of the corn; humankind's sole remaining sustenance.
In Interstellar, the widescreen sci-fi epic from Christopher Nolan, opening Friday, Jessica Chastain plays a scientist with a head full of equations, and questions, about time, relativity, quantum mechanics.
Everyone bemoans the remake, the bastardization of their memories, of something they hold dear. But times are constantly shifting, and our heroes cannot exist in a static universe. Without proper reinterpretation, would our pop icons still be relevant?
Love it or hate it, The Dark Knight Rises isn't worth the type of outlandish responses received in light of the movie's initial reviews.
For many, the lack of an 'official' box office result will mean very little this week. Considering what it does and does not represent, it should have never really mattered in the first place.
Once the calling card for young filmmakers, short films offer a chance to explore concepts of form and structure that Hollywood would not touch—at least not until it proved profitable.
While reviewers raved about its challenge to traditional linear narrative, it’s really in the realm of character development that Memento most destabilizes cinematic conventions.
Images of well-spoken men wearing dour expressions and designer suits have become to Christopher Nolan what terrycloth robes and light-sabers are to George Lucas or blood-spattered blades to Quentin Tarantino.
Zimmer reveals why he brought along Smiths guitarist Johnny Marr for the Inception soundtrack, how his relationship with Nolan works, and why the music was inspired by both David Bowie and mathematician Roger Penrose.
Christopher Nolan's Inception is part heist caper, part Jungian fugue-state, where dreams stack up inside each other like Russian nesting dolls.