Filmmaker Alexandre Rockwell’s Everyday Surrealism
Three Alexandre Rockwell films, now on OVID.tv, depict everyday Surrealism and Expressionism quite unlike the usual dingy kitchen-sink realism about lost souls.
Three Alexandre Rockwell films, now on OVID.tv, depict everyday Surrealism and Expressionism quite unlike the usual dingy kitchen-sink realism about lost souls.
Peter Saul's work is loud, vulgar, and outrageously offensive. It's perfectly tuned to America's violent culture from the '60s to life in the times of the Trump administration.
As Splendor and Misery in the Weimar Republic conveys, Expressionism seems to proclaim, we feel alike; whereas New Objectivity doesn't attempt to express alienation -- it induces it.
Ernst Ludwig Kirchner knew that melancholy arises from our longing to connect with the world and our knowledge that it continually slips from our embrace.
Under Oswald's expressionism is somebody scarred by his brush with Nazis, someone mistrustful of authority figures, and someone who likes to bring the razzle-dazzle to audiences.
In its response to modernity, Romanticism's grand enterprise inspires us to question the current state of things, to ponder how we might "be heroes / just for one day".
Deliberate artificiality and horror based in human psychology make horror classic, The Cabinet of Dr. Caligari, first released in 1920, feel remarkably fresh today.