Einstürzende Neubauten Discuss Their Improvised Utopias
Well into their fourth decade, industrial pioneers Einstürzende Neubauten continue to experiment and transform. Blixa Bargeld chats about their creative process.
Well into their fourth decade, industrial pioneers Einstürzende Neubauten continue to experiment and transform. Blixa Bargeld chats about their creative process.
John Patrick Higgins chatters about his newfound porcelain immortality and the tooth hurt endured for his new book, Teeth: An Oral History.
Six Organs of Admittance’s Ben Chasny discusses late 1990s folk, music journalism, his independent publication, and new record Time Is Glass.
Weeks after his 50th birthday, Guy Garvey talks about Elbow’s electric new album, their wildest since their 2008 breakthrough The Seldom Seen Kid.
After breaking through with a lockdown-inspired set of songs, the Ratboys’ “post-country” stylings find a new audience, opening for the Decemberists.
Kurdistani filmmaker Sina Muhammed discusses the complex interplay between joy and enduring struggle in his feminist drama, Transient Happiness.
While the Wailin’ Jennys are still playing their hearts out as three roots wonder women, co-founder Ruth Moody has new music and a special announcement to make.
Michel Franco’s Memory explores the premise of entrapment in the context of trauma and dementia and, in its repression of truth, builds to a chilling moment.
Ben Frost, Australia’s premiere avant-garde composer, unleashes his first solo album in seven years by returning to the pitch-black metal he loves so dearly.
What do sports, music, comedy, and neuroplasticity have to do with waxing moustaches? This hair-brained interview with humourist Aug Stone explains.
Award-winning musician and producer Gustavo Santaolalla is re-releasing a personal instrumental album that was a turning point for his lauded career.
Morphine saxophonist Dana Colley looks back at the alt-rock band’s career and discusses the newly expanded vinyl reissues for The Night and Like Swimming.